The Cinematic Sublime : Negative Pleasures, Structuring Absences

Nathan Carroll

ISBN 10: 1789387531 / ISBN 13: 9781789387537

Verlag: Intellect Feb 2023, 2023

Beschreibung

Neuware - An academic reader bridging the disciplines of aesthetics and film studies by focusing on cinematic sublimity. Original essays by contemporary film scholars and philosophers with topics and case studies ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema.

Bestandsnummer des Verkäufers 9781789387537

Bibliografische Details

• Titel: The Cinematic Sublime : Negative Pleasures, Structuring Absences
• Verlag: Intellect Feb 2023
• Erscheinungsjahr: 2023
• Sprache: Englisch
• ISBN-10: 1789387531
• ISBN-13: 9781789387537
• Einband: Taschenbuch
• Zustand: Neu
• Abmessungen: 246B x 170 H x 16 T Millimeter Breite: 246 mm, Höhe: 170 mm, Tiefe: 16 mm
• Gewicht: 384 Gramm

Über diesen Titel

Inhaltsangabe

An academic reader bridging the disciplines of aesthetics and film studies by focusing on cinematic sublimity. Original essays by contemporary film scholars and philosophers with topics and case studies ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema.

Über die Autorin bzw. den Autor

Nathan Carroll is an associate professor in the Department of Communication, Theatre, and Art at The College of St. Scholastica in Duluth, MN, where he teaches a variety of genre, auteur, and film topics courses within the Communication Major Film Concentration. In addition, he teaches courses on media criticism and sublime aesthetics as connected with cinema. He holds a BA (philosophy and political science) from Gustavus Adolphus College, an MA in philosophy (aesthetics) from the University of York (UK), and a combined Ph.D. in the Departments of Communication and Culture and American Studies from Indiana University, Bloomington. His research interests include new media, archive theory, and intersections between philosophy and film studies. He has published in The Velvet Light Trap, The Moving Image, the online journal Movement, and the Quarterly Review of Film and Video.