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From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano.

Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

About the Author: Charles Ramírez Berg is Joe M. Dealy, Sr. Professor in Media Studies at the University of Texas at Austin, where he has won every major teaching award. He is the author of several books, including Latino Images in Film: Stereotypes, Subversion, and Resistance and Cinema of Solitude: A Critical Study of Mexican Film, 1967–1983.

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Buchbeschreibung University of Texas Press. Paperback / softback. Buchzustand: new. BRAND NEW, The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films, Charles Ram Berg, From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood s paradigm outright. Directors Fernando de Fuentes, Emilio Fernandez, Luis Bunuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. "The Classical Mexican Cinema" traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express "lo mexicano."Charles Ramirez Berg begins by locating the classical style s pre-cinematic roots in the work of popular Mexican artist Jose Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas "El Automovil Gris," the crowning achievement of Mexico s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.". Buchnummer des Verkäufers B9781477308059

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Buchbeschreibung University of Texas Press, United States, 2015. Paperback. Buchzustand: New. Language: English . Brand New Book. From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood s paradigm outright. Directors Fernando de Fuentes, Emilio Fernandez, Luis Bunuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramirez Berg begins by locating the classical style s pre-cinematic roots in the work of popular Mexican artist Jose Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas El Automovil Gris, the crowning achievement of Mexico s silent filmmaking era and the film that set the stage for the Golden Age films.Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically. Buchnummer des Verkäufers AAJ9781477308059

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Buchbeschreibung University of Texas Press, United States, 2015. Paperback. Buchzustand: New. Language: English . Brand New Book. From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood s paradigm outright. Directors Fernando de Fuentes, Emilio Fernandez, Luis Bunuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramirez Berg begins by locating the classical style s pre-cinematic roots in the work of popular Mexican artist Jose Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas El Automovil Gris, the crowning achievement of Mexico s silent filmmaking era and the film that set the stage for the Golden Age films.Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically. Buchnummer des Verkäufers AAJ9781477308059

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Buchbeschreibung University of Texas Press. PAPERBACK. Buchzustand: Good. 1477308059 Choose Expedited Shipping for fastest delivery! Used Texts May Have Used Book Stickers on the Cover. Free USPS Tracking Number. Used texts may NOT contain supplemental materials such as CD's, info-trac, access codes, etc. Satisfaction Guaranteed! (Hawaii,Alaska, Puerto Rico and APO's, allow additional time for delivery.). Buchnummer des Verkäufers Z1477308059Z3

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Buchbeschreibung University of Texas Press 2015-09-01, 2015. Paperback. Buchzustand: New. Buchnummer des Verkäufers NU-MAR-00046100

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Buchbeschreibung Univ of Texas Pr, 2015. PAP. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9781477308059

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