The book fills a gap in the study of provenance, taking the subject holistically and from multiple standpoints, which better reflect the widening interest in provenance from a range of disciplinary perspectives.

�ber die Autorin bzw. den Autor

Jane Milosch directs the Smithsonian Institution’s Provenance Research Exchange Program, and was founding director of the Provenance Research Initiative (SPRI), which focused on WWII-era provenance research, international cultural heritage, and training programs. She previously served as Senior Program Officer for Art, leading pan-institutional programs and strategic planning efforts, and was appointed the U.S. Representative to Germany’s “Schwabing Art Trove” Task Force. She has held curatorial positions at the Renwick Gallery, Smithsonian American Art Museum, Washington, DC. and in Detroit, Iowa, and Munich, Germany, and is an Honorary Professor in the School of Culture & Creative Arts, University of Glasgow. Nick Pearce holds the Sir John Richmond Chair of Fine Art at the University of Glasgow, and specializes in the arts of China, most particularly in the context of the history of collecting. His career has spanned both museums and universities, as he has held positions at the Victoria & Albert Museum, The Burrell Collection in Glasgow, and at Durham and Edinburgh universities. He joined the University of Glasgow in 1998, where he has held the positions of Head of History of Art and Head of the School of Culture & Creative Arts, and is a Smithsonian Research Associate.

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