Composing for the Red Screen: Prokofiev and Soviet Film (Oxford Music / Media)

Kevin Bartig

Verlag: Oxford University Press, 2014
ISBN 10: 0190213280 / ISBN 13: 9780190213282
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Buchnummer des Verkäufers ABE_book_usedgood_0190213280

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Titel: Composing for the Red Screen: Prokofiev and ...
Verlag: Oxford University Press
Erscheinungsdatum: 2014
Zustand: Used

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Buchbeschreibung OUP USA, 2014. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers GB-9780190213282

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Buchbeschreibung Oxford University Press Inc, United States, 2014. Paperback. Buchzustand: New. Reprint. 231 x 229 mm. Language: English . Brand New Book. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev s film music derived from a self-imposed challenge: to compose serious music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues ideologically expedient film songs.Looking at Prokofiev s film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility. Buchnummer des Verkäufers AAZ9780190213282

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Buchbeschreibung Oxford University Press Inc. Paperback. Buchzustand: new. BRAND NEW, Composing for the Red Screen: Prokofiev and Soviet Film, Kevin Bartig, Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility. Buchnummer des Verkäufers B9780190213282

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Buchbeschreibung Oxford University Press Inc, United States, 2014. Paperback. Buchzustand: New. Reprint. 231 x 229 mm. Language: English . Brand New Book. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev s film music derived from a self-imposed challenge: to compose serious music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues ideologically expedient film songs.Looking at Prokofiev s film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility. Buchnummer des Verkäufers AAZ9780190213282

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Buchbeschreibung Paperback. Buchzustand: New. Not Signed; Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people hea. book. Buchnummer des Verkäufers ria9780190213282_rkm

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Buchbeschreibung Oxford University Press, 2014. Buchzustand: New. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Series: Oxford Music/Media Series. Num Pages: 248 pages, 50 music examples and 26 photographs. BIC Classification: 1DVUA; APF; AVGC6; AVH. Category: (G) General (US: Trade). Dimension: 234 x 150 x 14. Weight in Grams: 366. . 2014. Reprint. Paperback. . . . . . Buchnummer des Verkäufers V9780190213282

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Buchbeschreibung OUP USA, 2014. Buchzustand: New. Buchnummer des Verkäufers GH9780190213282

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Buchbeschreibung 2014. Paperback. Buchzustand: New. 234mm x 150mm x. Paperback. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, a.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 248 pages. 0.366. Buchnummer des Verkäufers 9780190213282

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