Continuous Project Altered Daily: The Writings of Robert Morris

Morris, Robert

ISBN 10: 0262631636 / ISBN 13: 9780262631631

Verlag: MIT Press, 1995

Beschreibung

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780262631631.

Bestandsnummer des Verkäufers 4138154

Bibliografische Details

• Titel: Continuous Project Altered Daily: The Writings of Robert Morris
• Verlag: MIT Press
• Erscheinungsjahr: 1995
• Sprache: Englisch
• ISBN-10: 0262631636
• ISBN-13: 9780262631631
• Einband: Softcover
• Zustand: Good
• Gewicht: 850 Gramm
• Verkäuferkataloge:
  • Art

Über diesen Titel

Inhaltsangabe

Robert Morris is best known for his significant contributions to minimalist sculpture and antiform art, as well as for a number of widely influential theoretical writings on art. Illustrated throughout, this collection of his seminal essays from the 1960s to the 1980s addresses wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism, and perceptual conditions.

The essays:


- Notes on Sculpture (Parts 1-4).

- Anti Form.

- Some Notes on the Phenomenology of Making: The Search for the Motivated.

- The Art of Existence.

- Three Extra-Visual Artists: Works in Process.

- Some Splashes in the Ebb Tide.

- Aligned with Nazca.

- The Present Terms of Space.

- Notes on Art as/and Land Reclamation.

- American Quartet.

- Three Folds in the Fabric and Four Autobiographical Asides as Allegories (or Interruptions).

- Robert Morris Replies to Roger Denson (Or Is That a Mouse in My Paragon?)

An OCTOBER book

Reseña del editor

Robert Morris is best known for his contributions to minimalist sculpture and antiform art, as well as for a number of influential theoretical writings on art. This collection of his essays from the 1960s to the 1980s addresses wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism and perceptual conditions. Included are the influential "Notes on Sculpture", which in four parts articulates the shifting terrains of sculpture during the 1960s, tracing its movement from the gestalt-driven unitary forms of minimalism, through permutable pieces, to the formally dispersed process-oriented antiform art that appeared later in the decade. Morris's landmark essay on "Anti Form", which marked a departure from art as object is also featured. In the later essays, Morris looks at modern art's development in America, based on a framework of strategies produced by Duchamp, Pollock, and other key figures. And in a refiguration of an interview with Roger Denson, Morris acts out a subtle mockery of himself and his art, collapsing the high seriousness of the intended format into a playful scheme.