Creating a Role

Stanislavski, Constantin

ISBN 10: 0878309810 / ISBN 13: 9780878309818

Verlag: Taylor & Francis Group, 1989

Beschreibung

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Bestandsnummer des Verkäufers GRP82681972

Bibliografische Details

• Titel: Creating a Role
• Verlag: Taylor & Francis Group
• Erscheinungsjahr: 1989
• Sprache: Englisch
• ISBN-10: 0878309810
• ISBN-13: 9780878309818
• Einband: Softcover
• Auflage: Reprint.
• Zustand: Good

Über diesen Titel

Inhaltsangabe

Creating a Roleis the culmination of Stanislavski's masterful trilogy on the art of acting. An Actor Preparesfocused on the inner training of an actor's imagination. Building a Characterdetailed how the actor's body and voice could be tuned for the great roles he might fill.
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form."
Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences to connect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers.

Über die Autorin bzw. den Autor

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.