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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: An examination of the intersection between the writing of Jacques Derrida and the Gothic. In the last thirty years the living-dead, the revenant, the phantom, and the crypt have appeared with increasing frequency in Jacques Derrida's writings and, for the most part, have gone unaddressed. In Cryptomimesis Jodey Castricano examines the intersection between Derrida's writing and the Gothic to theorize what she calls Derrida's "poetics of the crypt." She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain "Gothic" stylistic, formal, and thematic patterns and motifs in Derrida's work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe's Madeline and Roderick Usher, Bram Stoker's Dracula, and Stephen King's Louis Creed, she illuminates Derrida's concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Buchnummer des Verkäufers

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Inhaltsangabe: In the last thirty years the living-dead, the revenant, the phantom, and the crypt have appeared with increasing frequency in Jacques Derrida's writings and, for the most part, have gone unaddressed. In Cryptomimesis, Jodey Castricano examines the intersection between Derrida's writing and the Gothic to theorize what she calls Derrida's "poetics of the crypt." She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain "Gothic" stylistic, formal, and thematic patterns and motifs in Derrida's work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe's Madeline and Roderick Usher, Bram Stoker's Dracula, and Stephen King's Louis Creed, she illuminates Derrida's concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida's Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the "phantom" throughout Derrida's other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that "to be" is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida's insistence that to learn to live we must learn how to talk "with" ghosts.

Inhaltsangabe: This is an examination of the intersection between Derrida's writing and the gothic to theorise Derrida's 'poetics of the crypt'.

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Jodey Castricano
Verlag: McGill-Queen's University Press (2003)
ISBN 10: 0773522794 ISBN 13: 9780773522794
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Buchbeschreibung McGill-Queen's University Press, 2003. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CA-9780773522794

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Buchbeschreibung McGill-Queen s University Press, Canada, 2003. Paperback. Buchzustand: New. 226 x 148 mm. Language: English . Brand New Book. She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain Gothic stylistic, formal, and thematic patterns and motifs in Derrida s work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe s Madeline and Roderick Usher, Bram Stoker s Dracula, and Stephen King s Louis Creed, she illuminates Derrida s concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida s Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the phantom throughout Derrida s other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that to be is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida s insistence that to learn to live we must learn how to talk Awith ghosts. Buchnummer des Verkäufers AAJ9780773522794

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Buchbeschreibung University of Chicago press. Buchzustand: New. Brand New. Buchnummer des Verkäufers 0773522794

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Buchbeschreibung McGill-Queen s University Press, Canada, 2003. Paperback. Buchzustand: New. 226 x 148 mm. Language: English . Brand New Book. She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain Gothic stylistic, formal, and thematic patterns and motifs in Derrida s work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe s Madeline and Roderick Usher, Bram Stoker s Dracula, and Stephen King s Louis Creed, she illuminates Derrida s concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida s Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the phantom throughout Derrida s other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that to be is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida s insistence that to learn to live we must learn how to talk Awith ghosts. Buchnummer des Verkäufers AAJ9780773522794

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Buchbeschreibung McGill-Queen's University Press. Paperback. Buchzustand: new. BRAND NEW, Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing, Jodey Castricano, In the last thirty years the living-dead, the revenant, the phantom, and the crypt have appeared with increasing frequency in Jacques Derrida's writings and, for the most part, have gone unaddressed. In Cryptomimesis, Jodey Castricano examines the intersection between Derrida's writing and the Gothic to theorize what she calls Derrida's "poetics of the crypt." She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain "Gothic" stylistic, formal, and thematic patterns and motifs in Derrida's work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe's Madeline and Roderick Usher, Bram Stoker's Dracula, and Stephen King's Louis Creed, she illuminates Derrida's concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida's Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the "phantom" throughout Derrida's other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that "to be" is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida's insistence that to learn to live we must learn how to talk "with" ghosts. Buchnummer des Verkäufers B9780773522794

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97807735227940000000

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Buchbeschreibung Mcgill Queens Univ Pr, 2003. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 0773522794

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Buchbeschreibung McGill-Queen's University Press. Buchzustand: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2282765

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Buchbeschreibung McGill-Queen s University Press, Canada, 2003. Paperback. Buchzustand: New. 226 x 148 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain Gothic stylistic, formal, and thematic patterns and motifs in Derrida s work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe s Madeline and Roderick Usher, Bram Stoker s Dracula, and Stephen King s Louis Creed, she illuminates Derrida s concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida s Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the phantom throughout Derrida s other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that to be is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida s insistence that to learn to live we must learn how to talk Awith ghosts. Buchnummer des Verkäufers BTE9780773522794

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Buchbeschreibung McGill Queens Univ Pr, 2003. Paperback. Buchzustand: Brand New. 176 pages. 10.50x6.00x0.25 inches. In Stock. Buchnummer des Verkäufers __0773522794

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