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In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social.

The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio―but not by Petrarch―were more progressive than the courtly style for which the Italian tradition is celebrated.

Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”―and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo―these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.

About the Author: Teodolinda Barolini, past President of the Dante Society of America, is Lorenzo Da Ponte Professor of Italian at Columbia University. She is the author of Dante’s Poets: Textuality and Truth in the Comedy and The Undivine Comedy: Detheologizing Dante, and the co-editor, with H. Wayne Storey, of Dante for the New Millennium (Fordham).

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Buchbeschreibung Fordham University Press, 2006. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0823227030

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Buchbeschreibung Fordham University Press, 2006. Hardcover. Buchzustand: New. Buchnummer des Verkäufers INGM9780823227037

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Buchbeschreibung Fordham University Press, United States, 2006. Hardback. Buchzustand: New. Language: English . Brand New Book ***** Print on Demand *****. In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its three crowns : Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante s Vita nuova, Petrarch s lyric sequence, and Boccaccio s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women s use and instruction, as explored by Guittone, Dante, and Boccaccio-but not by Petrarch-were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in Dante and the Lyric Past to Petrarch s regressive stance on gender in Notes toward a Gendered History of Italian Literature -and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d Arezzo-these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike. Buchnummer des Verkäufers APC9780823227037

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808232270370000000

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Buchbeschreibung Fordham University Press, United States, 2006. Hardback. Buchzustand: New. Language: English . Brand New Book ***** Print on Demand *****.In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its three crowns : Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante s Vita nuova, Petrarch s lyric sequence, and Boccaccio s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women s use and instruction, as explored by Guittone, Dante, and Boccaccio-but not by Petrarch-were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in Dante and the Lyric Past to Petrarch s regressive stance on gender in Notes toward a Gendered History of Italian Literature -and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d Arezzo-these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike. Buchnummer des Verkäufers APC9780823227037

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Buchbeschreibung Fordham University Press, United States, 2006. Hardback. Buchzustand: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its three crowns : Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante s Vita nuova, Petrarch s lyric sequence, and Boccaccio s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women s use and instruction, as explored by Guittone, Dante, and Boccaccio-but not by Petrarch-were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in Dante and the Lyric Past to Petrarch s regressive stance on gender in Notes toward a Gendered History of Italian Literature -and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d Arezzo-these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike. Buchnummer des Verkäufers BZE9780823227037

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Buchbeschreibung Fordham University Press, 2006. Hardcover. Buchzustand: New. 3. Buchnummer des Verkäufers DADAX0823227030

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Buchbeschreibung 2006. Hardcover. Buchzustand: New. Hardcover. In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its three crowns: Dante, Petrarch, and Boccaccio. Baro.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 496 pages. 0.771. Buchnummer des Verkäufers 9780823227037

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Buchbeschreibung Fordham University Press. Hardcover. Buchzustand: New. 496 pages. Dimensions: 9.0in. x 6.0in. x 1.5in.In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its three crowns: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideologicalphilosophical, the intertextualmulticultural, the structuralformal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dantes Vita nuova, Petrarchs lyric sequence, and Boccaccios Decameron. Barolini also looks at the cultural implications of the editorial history of Dantes rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for womens use and instruction, as explored by Guittone, Dante, and Boccaccio-but not by Petrarch-were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in Dante and the Lyric Pastto Petrarchs regressive stance on gender in Notes toward a Gendered History of Italian Literature-and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone dArezzo-these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Buchnummer des Verkäufers 9780823227037

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Buchbeschreibung Fordham University Press, 2006. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers M0823227030

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