In the Dark Room 9783039113545

Julie Beaulieu, Rosanna Maule

ISBN 10: 3039113542 / ISBN 13: 9783039113545
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Not Signed; This book examines Duras's contribution to contemporary cinema. The `dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her `internal shadow' onto the. Buchnummer des Verkäufers

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Inhaltsangabe: This book examines Duras’s contribution to contemporary cinema. The ‘dark room’ in the collection’s title refers to one of Duras’s metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her ‘internal shadow’ onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film’s diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen.
This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras’s innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras’s cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras’s films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five).

About the Author: The Editors: Rosanna Maule is Associate Professor of Film Studies at the Mel Hoppenheim School of Cinema, Concordia University, Montreal (Canada). She is the author of Beyond Auteurism: New Directions in Authorial Film Practices in France, Italy, and Spain since the 1980s (2008) and the editor of special issues of Cinema & Cie, Framework, and Cinémas on early cinema, as well as of several articles published in books and film journals.
Julie Beaulieu is a SSHRC Postdoctoral Fellow in the Department of Film Studies at Concordia University, Montreal. She wrote a dissertation on Marguerite Duras’s text, theatre, and film (‘L’Entrécriture dans l’œuvre de Marguerite Duras. Texte, théâtre, film’, Université de Montréal, 2007), and has authored several articles on women’s literature and cinema.

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Titel: In the Dark Room 9783039113545
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Rosanna Maule (ed.) With Julie Beaulieu
Verlag: Peter Lang, Bern (2009)
ISBN 10: 3039113542 ISBN 13: 9783039113545
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Buchbeschreibung Peter Lang, Bern, 2009. Paperback. Buchzustand: Good +. 382pp. Library withdrawal label and usual signs of former library status otherwise free of annotations and highlighting. Binding remains firm. Size: 8vo. Ex Academic Library. Buchnummer des Verkäufers 937852

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Rosanna Maule
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Buchbeschreibung Verlag Peter Lang 2009-03-01, 2009. Paperback. Buchzustand: New. Buchnummer des Verkäufers NU-LBR-01788915

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Maule, Rosanna
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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 17906196-n

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Julie Beaulieu (editor), Rosanna Maule (editor)
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Buchbeschreibung Peter Lang AG, Internationaler Verlag der Wissensc 2009-03-13, Oxford, 2009. paperback. Buchzustand: New. Buchnummer des Verkäufers 9783039113545

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Rosanna Maule
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Buchbeschreibung Peter Lang Mrz 2009, 2009. Taschenbuch. Buchzustand: Neu. Neuware - This book examines Duras's contribution to contemporary cinema. The 'dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her 'internal shadow' onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film's diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras's innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras's cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras's films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five). 379 pp. Englisch. Buchnummer des Verkäufers 9783039113545

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Buchbeschreibung Peter Lang Mrz 2009, 2009. Taschenbuch. Buchzustand: Neu. Neuware - This book examines Duras's contribution to contemporary cinema. The 'dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her 'internal shadow' onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film's diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras's innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras's cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras's films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five). 379 pp. Englisch. Buchnummer des Verkäufers 9783039113545

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Buchbeschreibung Peter Lang Mrz 2009, 2009. Taschenbuch. Buchzustand: Neu. Neuware - This book examines Duras's contribution to contemporary cinema. The 'dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her 'internal shadow' onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film's diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras's innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras's cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras's films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five). 379 pp. Englisch. Buchnummer des Verkäufers 9783039113545

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Buchbeschreibung Peter Lang Mrz 2009, 2009. Taschenbuch. Buchzustand: Neu. Neuware - This book examines Duras's contribution to contemporary cinema. The 'dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her 'internal shadow' onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film's diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras's innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras's cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras's films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five). 379 pp. Englisch. Buchnummer des Verkäufers 9783039113545

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Beaulieu, Julie / Maule, Rosanna Hrsg.
Verlag: Oxford, 2009. 379 pp. (2009)
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Buchbeschreibung Oxford, 2009. 379 pp., 2009. Buchzustand: New. This book examines Duras?s contribution to contemporary cinema. The ?dark room? in the collection?s title refers to one of Duras?s metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her ?internal shadow? onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film?s diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras?s innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras?s cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras?s films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five). Buchnummer des Verkäufers 11354

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Maule, Rosanna (Editor)/ Beaulieu, Julie (Editor)
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Buchbeschreibung Peter Lang Pub Inc, 2009. Paperback. Buchzustand: Brand New. 382 pages. 8.75x5.75x0.75 inches. In Stock. Buchnummer des Verkäufers __3039113542

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