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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. Buchnummer des Verkäufers

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Inhaltsangabe: Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences.

Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton?s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare?s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, ?different readers [bring] the text to life in different ways.? By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts.

Über den Autor: Laura Estill is assistant professor of English (digital Shakespeare studies) at Texas A&M University and is co-editor of World Shakespeare Bibliography.

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Buchbeschreibung University of Delaware Press, Newark, 2015. Hardcover. Buchzustand: As New. Hardcover, 8vo. 254 pp with index. AS NEW condition. 3All domestic orders $100 and over will be upgraded to USPS Priority shipping at no additional cost. Size: 8vo. Buchnummer des Verkäufers 100348

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Buchbeschreibung University of Delaware Press. Hardcover. Buchzustand: Fine. 1611495148 *LIKE NEW* Ships Same Day or Next!. Buchnummer des Verkäufers SWATI21FI679239

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Buchbeschreibung University of Delaware Press, United States, 2015. Hardback. Buchzustand: New. 226 x 157 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences.Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, different readers [bring] the text to life in different ways. By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Buchnummer des Verkäufers BTE9781611495140

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Buchbeschreibung University of Delaware Press, 2015. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 1611495148

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Buchbeschreibung 2015. Hardcover. Buchzustand: New. 239mm x 154mm x. Hardcover. Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse mi.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 284 pages. 0.580. Buchnummer des Verkäufers 9781611495140

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