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Titel: The End of Early Music: A Period Performer's...
Verlag: Oxford University Press
This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: List of Musical ExamplesList of Recorded ExcerptsPreface: If this Muses Come to CallAcknowledgementsPart I: Performing StylesOne. Performing Style: When You Say Something Differently, You Say Something DiffertTwo. Mind the Gap: Current StylesThree. Mainstream Style: "Chops, but no Soul"Part II: How Romantic Are We?Four. Classical Music's Coarse CaressFive. The Transparent PerformerSix. Changing Meanings, Permanent SymbolsPart III: Anachronism and AuthenticitySeven. Original EarsEight. Ways of Copying the PastNine. The Medium is the Message: Period InstrumentsTen. Baroque Oratory Compared with Romantic AutobiographyEleven. Gestural PhrasingPart V: The End of "Early" MusicTwelve. Passive and Active Musicking: Stop Staring and Grow Your OwnThirteen. Mainstream Musicking as "Early Music"Fourteen. Perpetual RevolutionNotesList of Bibliographic AbbreviationsBibliographyIndex. Buchnummer des Verkäufers ABE_book_usedgood_0195189876
Inhaltsangabe: Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.
Über den Autor:
Recently retired as a performer, Bruce Haynes worked for many years in Holland. He introduced the hautboy into the Dutch music curriculum, teaching at the Royal Conservatory. Currently, he is Associate Professor in the Faculty of Music at the University of Montreal. He has published widely on the history of the oboe and performing pitch standards.
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