An Expressionist in Paris: The Paintings of Chaim Soutine. Dieser Artikel ist nicht verfügbar.
Kleeblatt, Norman L.; Silver, Kenneth E.
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Sprache: Englisch
Verlag: The Jewish Museum / Prestel, New York, 1998
- Softcover
- Gebraucht

Verkäuferin bzw. Verkäufer von Kulturgütern
Anbieter: Fahrenheit's Books, Denver, CO, USAFahrenheit's Books
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei AbeBooks seit 27. Juni 1997
Verbandsmitglied: RMABA
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 18,49
Artikelbeschreibung des Verkäufers
Unstated printing but presumed first, trade paperback, has a mild skew to the binding, light bumps to the spine ends and corners with some wear along the cover edges, and shallow waving with subtle age toning to the page edges. Overall, this is a solid, tight and clean, Very Good+ copy.
Bestandsnummer des Verkäufers 216458
- Titel
- An Expressionist in Paris: The Paintings of Chaim Soutine
- Autor
- Kleeblatt, Norman L.; Silver, Kenneth E.
- Verlag
- The Jewish Museum / Prestel, New York
- Erscheinungsjahr
- 1998
- Zustand
- Very Good+
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 3791319329
- ISBN-13
- 9783791319322
- Verkäuferkataloge
- Art
Born near Minsk in White Russia, the painter Chaim Soutine (1894-1943) created his major works in France between the two World Wars. He is identified with the School of Paris, the group of artists, many of them foreign-born and Jewish, who lived and worked in the French capital between the wars. Known as a "painter's painter", Soutine worked with unreserved gesture and emotion, using exuberant colour, thinkly applied paint, and sweeping brushwork. "Chaim Soutine" is a comprehensive, ground-breaking book that rediscovers this important artist, providing an overview of his life, work and aesthetic influence, as well as his critical reception. Essays by leading scholars and curators assess Soutine's art from new vantage points, including the changing critical reception of his work in Paris between the wars, as well as in the US and France in the aftermath of World War II and the Holocaust. The essays also examine the influence of Soutine's Jewish and French immigrant background on his work and reception, and introduce us to his important patrons and major collectors. These included Albert Barnes, the famous Philadelphia collector, who discovered Soutine's work in 1922-23 and purchased 52 of his paintings. The book features presentations and information never published before, including a photo-essay composed of rare photographs of the artist, newly discovered correspondence between Soutine and the French art historian Elie Faure, and the first radiographic analysis of the artist's work, which brings to light new evidence about Soutine's use of materials and his process of painting.
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