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Inhaltsangabe: English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. "It was a treat so truly intellectual that every ear and every breast, susceptible of harmony and of impression, was gratified to a degree beyond our power to describe." Thus one of the first London reviews in 1811 of Mozart's beautiful opera, Cosi fan tutte. Its enigmatic mixture of a detached experiment in human foibles and a struggle of sincere emotions has often disturbed audiences: in the last century it was performed under many different titles and extensively bowdlerised. H.C. Robbins Landon observes, however, that Mozart's heartfelt music proves he is openly on the side of the angels (that is, the ladies), not the deceivers, however cynical da Ponte's words alone appear to be. Brian Trowell describes the sophisticated world in which the opera was conceived, while John Stone traces the origins of the libretto to Ancient Greece, medieval Italy and even to China. The text is certainly da Ponte's most original masterpiece and is here presented in a newly revised English version.

From the Publisher: Other Opera Journeys Publishing titles ALSO AVAILABLE at amazon.com:

OPERA CLASSICS LIBRARY SERIES:
·Aida ·The Barber of Seville
·La Bohème ·Carmen ·Cavalleria Rusticana
·Così fan tutte ·Don Giovanni
·Lucia di Lammermoor ·Madama Butterfly
·The Magic Flute ·Manon Lescaut ·The Marriage of Figaro
·Otello ·I Pagliacci ·Rigoletto ·Salome ·Tosca
·Il Trittico (Il Tabarro/Suor Angelica/Gianni Schicchi)
·La Traviata ·Turandot and The Ring of the Nibelung (without libretto)

OPERA JOURNEYS MINI GUIDE SERIES:

·Aïda ·Andrea Chénier ·The Barber of Seville
·La Bohème ·Boris Godunov ·Carmen
·Cavalleria Rusticana ·Così fan tutte ·Der Freischütz
·Die Fledermaus ·Don Carlo ·Don Giovanni
·Don Pasquale ·The Elixir of Love ·Elektra
·Eugene Onegin ·Exploring Wagner’s Ring ·Falstaff
·Faust ·Fidelio ·The Flying Dutchman
·Hansel and Gretel ·L’Italiana in Algeri ·Julius Caesar
·Lohengrin ·Lucia di Lammermoor ·Macbeth
·Madama Butterfly ·The Magic Flute
·Manon ·Manon Lescaut ·The Marriage of Figaro
·A Masked Ball ·The Mikado ·Nabucco ·Norma
·Otello ·I Pagliacci ·Porgy and Bess
·The Rhinegold ·Rigoletto ·Der Rosenkavalier
·Salome ·Samson and Delilah ·Siegfried
·The Tales of Hoffmann ·Tannhäuser
·Tosca ·La Traviata ·Tristan and Isolde
·Il Trovatore ·Turandot
·Twilight of the Gods ·The Valkyrie ·Werther

OPERA JOURNEYS LIBRETTO SERIES:

·Aida ·The Barber of Seville
·La Bohème ·Carmen ·Cavalleria Rusticana
·Così fan tutte ·Don Giovanni ·Edgar
·La Fanciulla del West ·Gianni Schicchi
·Lucia di Lammermoor ·Madama Butterfly
·The Magic Flute ·Manon Lescaut
·The Marriage of Figaro ·Otello ·I Pagliacci ·Rigoletto
·La Rondine ·Salome ·Suor Angelica
·Il Tabarro ·Tosca ·La Traviata ·Le Villi

AND
A History of Opera: Milestones and Metamorphoses

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Buchbeschreibung Oneworld Classics Ltd. Paperback. Buchzustand: new. BRAND NEW, Cosi Fan Tutte, Wolfgang Amadeus Mozart, John Nicholas, M.E. Browne, John Cox, 'It was a treat so truly intellectual that every ear and every breast, susceptible of harmony and of impression, was gratified to a degree beyond our power to describe.' Thus one of the first London reviews in 1811 of Mozart's opera Cosi fan tutte. Its enigmatic mixture of a detached experiment in human foibles and a struggle of sincere emotions has often disturbed audiences: in the last century it was performed under many different titles and extensively bowdlerized. H.C. Robbins Landon observes, however, that Mozart's heartfelt music proves he is openly on the side of the angels - that is, the ladies - not the deceivers, however cynical Da Ponte's words appear to be. Brian Trowell describes the sophisticated world in which the opera was conceived, while John Stone traces the origins of the libretto to Ancient Greece, medieval Italy and even to China. The text is certainly Da Ponte's most original masterwork, and is here presented in Rev. M.E. Browne's acclaimed translation, newly revised by John Cox. Buchnummer des Verkäufers B9780714544236

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Buchbeschreibung Alma Books Ltd, United Kingdom, 2011. Paperback. Buchzustand: New. New. Language: English . Brand New Book. It was a treat so truly intellectual that every ear and every breast, susceptible of harmony and of impression, was gratified to a degree beyond our power to describe. Thus one of the first London reviews in 1811 of Mozart s opera Cosi fan tutte. Its enigmatic mixture of a detached experiment in human foibles and a struggle of sincere emotions has often disturbed audiences: in the last century it was performed under many different titles and extensively bowdlerized. H.C. Robbins Landon observes, however, that Mozart s heartfelt music proves he is openly on the side of the angels - that is, the ladies - not the deceivers, however cynical Da Ponte s words appear to be. Brian Trowell describes the sophisticated world in which the opera was conceived, while John Stone traces the origins of the libretto to Ancient Greece, medieval Italy and even to China. The text is certainly Da Ponte s most original masterwork, and is here presented in Rev. M.E. Browne s acclaimed translation, newly revised by John Cox. Buchnummer des Verkäufers AA79780714544236

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Buchbeschreibung 2011. Paperback. Buchzustand: Brand New. new edition. 128 pages. 8.50x5.75x0.50 inches. In Stock. Buchnummer des Verkäufers __071454423X

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Buchbeschreibung Alma Books Ltd, United Kingdom, 2011. Paperback. Buchzustand: New. New. Language: English . Brand New Book. It was a treat so truly intellectual that every ear and every breast, susceptible of harmony and of impression, was gratified to a degree beyond our power to describe. Thus one of the first London reviews in 1811 of Mozart s opera Cosi fan tutte. Its enigmatic mixture of a detached experiment in human foibles and a struggle of sincere emotions has often disturbed audiences: in the last century it was performed under many different titles and extensively bowdlerized. H.C. Robbins Landon observes, however, that Mozart s heartfelt music proves he is openly on the side of the angels - that is, the ladies - not the deceivers, however cynical Da Ponte s words appear to be. Brian Trowell describes the sophisticated world in which the opera was conceived, while John Stone traces the origins of the libretto to Ancient Greece, medieval Italy and even to China. The text is certainly Da Ponte s most original masterwork, and is here presented in Rev. M.E. Browne s acclaimed translation, newly revised by John Cox. Buchnummer des Verkäufers AA79780714544236

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Buchbeschreibung Oneworld Classics, 2011. Paperback. Buchzustand: Good. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Buchnummer des Verkäufers 071454423X

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