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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. Buchnummer des Verkäufers

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Inhaltsangabe: The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. Often these have been people in crisis: displaced from their homes and their countries, at risk from violence, poverty and prejudice. This book takes in the full range of Fazal Sheikh's work, from his earliest portraits taken in African refugee camps, through long-term projects in Afghanistan and Northern Pakistan, Somalia and Kenya, to more recent work in South America and in India. It considers the role of the portrait within this kind of social enquiry: the balance of its aesthetic and narrative qualities, its capacity for empathy and also for distance; the values of the collaborative portrait, and the moral ambivalence that surrounds this approach to documenting the lives of disadvantaged people within the context of contemporary art.

Inhaltsangabe: For New York-born photographer-activist Fazal Sheikh, the portrait is an important tool. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. This volume contains the full range of Sheikh's work, from his earliest portraits taken in African refugee camps, through long-term projects in Afghanistan, Northern Pakistan, Somalia and Kenya, to more recent work in South America and India. Many of his subjects have been displaced from their homes or their countries, and their lives have been lived under the threat of violence, poverty and discrimination. With a text by writer and theorist Eduardo Cadava, this book tackles difficult issues, raising the moral dilemma of documenting the lives of disadvantaged people within the context of contemporary art.

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Eduardo Cadava
Verlag: Steidl (2011)
ISBN 10: 3865218199 ISBN 13: 9783865218193
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Buchbeschreibung Steidl, 2011. Hardcover. Buchzustand: New. Brand new book. DAILY dispatch from our warehouse in Sussex, all international orders sent Airmail. We're happy to offer significant POSTAGE DISCOUNTS for MULTIPLE ITEM orders. Buchnummer des Verkäufers mon0000697019

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Fazal Sheikh
Verlag: Steidl Verlag (2011)
ISBN 10: 3865218199 ISBN 13: 9783865218193
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Buchbeschreibung Steidl Verlag, 2011. Buchzustand: D'occasion - Très bon état. Buchnummer des Verkäufers 3G-XNDQ-J98L

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Sheikh, Fazal:
Verlag: Steidl, (2010)
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Buchbeschreibung Steidl, 2010. Gebundene Ausgabe. Buchzustand: Sehr gut. 303 Seiten am unteren Schnitt als Mängelexemplar gekennzeichnet Sprache: Englisch Gewicht in Gramm: 1566. Buchnummer des Verkäufers 22729

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Fazal Sheikh
Verlag: Steidl Publishers 2010-12-20, Gottingen (2010)
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Buchbeschreibung Steidl Publishers 2010-12-20, Gottingen, 2010. hardback. Buchzustand: New. Buchnummer des Verkäufers 9783865218193

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Cadava, Eduardo
Verlag: Steidl, Gottingen, Germany (2011)
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Buchbeschreibung Steidl, Gottingen, Germany, 2011. Hardcover. Buchzustand: New. Zustand des Schutzumschlags: New. First Edition. 25.5 x 20.5 cms. 304 pages - in English - over 150 duotone plates - portraits which reflect the dignity of the downtrodden by American photographer Faizal Sheikh (b.1965) - Trees, Hands, Stars and Veils: The Portrait In Ruins, essay by Eduardo Cadava. Buchnummer des Verkäufers 010019

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Fazal Sheikh
Verlag: Steidl Gerhard Verlag Jul 2009 (2009)
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Buchbeschreibung Steidl Gerhard Verlag Jul 2009, 2009. Buch. Buchzustand: Neu. 257x210x38 mm. Neuware - The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. Often these have been people in crisis: displaced from their homes and their countries, at risk from violence, poverty and prejudice. This book takes in the full range of Fazal Sheikh's work, from his earliest portraits taken in African refugee camps, through long-term projects in Afghanistan and Northern Pakistan, Somalia and Kenya, to more recent work in South America and in India. It considers the role of the portrait within this kind of social enquiry: the balance of its aesthetic and narrative qualities, its capacity for empathy and also for distance; the values of the collaborative portrait, and the moral ambivalence that surrounds this approach to documenting the lives of disadvantaged people within the context of contemporary art. Fazal Sheikh was born in 1965 in New York City. His previous books include A Sense of Common Ground (Scalo 1996), The Victor Weeps (Scalo 1998), A Camel for the Son and Ramadan Moon (International Human Rights Series 2001), Moksha (Steidl 2005), Ladli (Steidl 2007) and The Circle (Steidl 2008), Fazal Sheikh (TF Editores 2009). 303 pp. Englisch. Buchnummer des Verkäufers 9783865218193

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Fazal Sheikh
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Buchbeschreibung Steidl Gerhard Verlag Jul 2009, 2009. Buch. Buchzustand: Neu. 257x210x38 mm. Neuware - The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities 303 pp. Englisch. Buchnummer des Verkäufers 9783865218193

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Fazal Sheikh
Verlag: Steidl Gerhard Verlag Jul 2009 (2009)
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Buchbeschreibung Steidl Gerhard Verlag Jul 2009, 2009. Buch. Buchzustand: Neu. 257x210x38 mm. Neuware - The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. Often these have been people in crisis: displaced from their homes and their countries, at risk from violence, poverty and prejudice. This book takes in the full range of Fazal Sheikh's work, from his earliest portraits taken in African refugee camps, through long-term projects in Afghanistan and Northern Pakistan, Somalia and Kenya, to more recent work in South America and in India. It considers the role of the portrait within this kind of social enquiry: the balance of its aesthetic and narrative qualities, its capacity for empathy and also for distance; the values of the collaborative portrait, and the moral ambivalence that surrounds this approach to documenting the lives of disadvantaged people within the context of contemporary art. Fazal Sheikh was born in 1965 in New York City. His previous books include A Sense of Common Ground (Scalo 1996), The Victor Weeps (Scalo 1998), A Camel for the Son and Ramadan Moon (International Human Rights Series 2001), Moksha (Steidl 2005), Ladli (Steidl 2007) and The Circle (Steidl 2008), Fazal Sheikh (TF Editores 2009). 303 pp. Englisch. Buchnummer des Verkäufers 9783865218193

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Fazal Sheikh
Verlag: Steidl Gerhard Verlag Jul 2009 (2009)
ISBN 10: 3865218199 ISBN 13: 9783865218193
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Buchbeschreibung Steidl Gerhard Verlag Jul 2009, 2009. Buch. Buchzustand: Neu. 257x210x38 mm. Neuware - The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. Often these have been people in crisis: displaced from their homes and their countries, at risk from violence, poverty and prejudice. This book takes in the full range of Fazal Sheikh's work, from his earliest portraits taken in African refugee camps, through long-term projects in Afghanistan and Northern Pakistan, Somalia and Kenya, to more recent work in South America and in India. It considers the role of the portrait within this kind of social enquiry: the balance of its aesthetic and narrative qualities, its capacity for empathy and also for distance; the values of the collaborative portrait, and the moral ambivalence that surrounds this approach to documenting the lives of disadvantaged people within the context of contemporary art. Fazal Sheikh was born in 1965 in New York City. His previous books include A Sense of Common Ground (Scalo 1996), The Victor Weeps (Scalo 1998), A Camel for the Son and Ramadan Moon (International Human Rights Series 2001), Moksha (Steidl 2005), Ladli (Steidl 2007) and The Circle (Steidl 2008), Fazal Sheikh (TF Editores 2009). 303 pp. Englisch. Buchnummer des Verkäufers 9783865218193

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Sheikh, Fazal
ISBN 10: 3865218199 ISBN 13: 9783865218193
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Buchbeschreibung 2009. Buchzustand: New. Buchnummer des Verkäufers L9783865218193

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