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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Yacavone's Film Worlds is a major reconsideration of the nature of aesthetic experience through the medium of cinema. Film Worlds offers new insights into the hermeneutical and phenomenological perspectives of Hans-Georg Gadamer and Mikel Dufrenne, as well as Nelson Goodman's concept of world-making. The book also presents a significant revision of our understanding of modern and contemporary film theory from Mitry and Metz to Bordwell and Deleuze. This brilliant and original work will be of interest to philosophers and film scholars alike. Buchnummer des Verkäufers

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Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions.

Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.

Über den Autor:

Daniel Yacavone is lecturer in film studies at the University of Edinburgh, where he has been acting director of Film Studies within the School of Literatures, Languages, and Cultures and has held a British Academy Postdoctoral Fellowship.

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Buchbeschreibung Columbia University Press, 2015. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers WI-9780231157681

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Buchbeschreibung Columbia University Press. Hardcover. Buchzustand: Good. 0231157681 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Buchnummer des Verkäufers Z0231157681Z3

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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 21449186-n

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Buchbeschreibung Columbia University Press. Hardcover. Buchzustand: Very Good. 0231157681 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Buchnummer des Verkäufers Z0231157681Z2

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Buchbeschreibung Columbia University Press, United States, 2015. Hardback. Buchzustand: New. 254 x 165 mm. Language: English . Brand New Book. Film Worlds unpacks the significance of the worlds that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema s affective and symbolic dimensions. Always more than fictional worlds and storyworlds on account of cinema s perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman s analytic account of symbolic and artistic worldmaking to cinema, expands on French philosopher Mikel Dufrenne s phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film. Buchnummer des Verkäufers AAH9780231157681

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Buchbeschreibung Columbia University Press, United States, 2015. Hardback. Buchzustand: New. 254 x 165 mm. Language: English . Brand New Book. Film Worlds unpacks the significance of the worlds that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema s affective and symbolic dimensions. Always more than fictional worlds and storyworlds on account of cinema s perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman s analytic account of symbolic and artistic worldmaking to cinema, expands on French philosopher Mikel Dufrenne s phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film. Buchnummer des Verkäufers AAH9780231157681

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Buchbeschreibung 2015. Hardback. Buchzustand: NEW. 9780231157681 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE01140286

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Buchbeschreibung Columbia Univ Pr, 2014. Hardcover. Buchzustand: Brand New. 311 pages. 10.00x6.50x1.00 inches. In Stock. Buchnummer des Verkäufers __0231157681

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Buchbeschreibung 2015. Hardcover. Buchzustand: New. 151mm x 237mm x. Hardcover. Film Worlds unpacks the significance of the worlds that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 344 pages. 0.558. Buchnummer des Verkäufers 9780231157681

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