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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: A groundbreaking study of the Jewish composers and musicians banned by the Third Reichand the consequences for music worldwide. Buchnummer des Verkäufers

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With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation.

Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.

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This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century.

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Haas, Michael
ISBN 10: 0300154305 ISBN 13: 9780300154306
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Buchbeschreibung Paperback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR005245967

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Haas, Mr. Michael
Verlag: Yale University Press (2013)
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Buchbeschreibung Yale University Press, 2013. Buchzustand: Very Good. hardcover. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP71899609

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Haas, Mr. Michael
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Buchbeschreibung Yale University Press, 2013. Buchzustand: Very Good. hardcover. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP77984397

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Haas, Michael.
Verlag: Yale University, New Haven CT 2013. (2013)
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Buchbeschreibung Yale University, New Haven CT 2013., 2013. 1st edition. 8vo. xii + 358pp. Original boards, very good in d/w. ISBN 9780300154306 US$21. Buchnummer des Verkäufers 141173

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Haas, Michael
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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: Very Good. 0300154305 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Buchnummer des Verkäufers Z0300154305Z2

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Michael Haas
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Buchbeschreibung Yale University Press, 2013. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. Buchnummer des Verkäufers l22180

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Haas, Mr. Michael
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Buchbeschreibung Yale University Press, 2013. Hardcover. Buchzustand: Good. Paperback. Advance Uncorrected Proof, Nt Fr Sle marking on cover. Good Condition. Reasonable wear. Still very usable. Clean, mark-free interior! SHIPS WITHIN 24 HOURS! Tracking Provided. DHL processing & USPS delivery for an average of 3-5 Day Standard & 2-3 Day Expedited! FREE INSURANCE! Fast & Personal Support! Careful Packaging. No Hassle, Full Refund Return Policy!. Buchnummer des Verkäufers mon0000457593

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Michael Haas
Verlag: Yale University Press (2013)
ISBN 10: 0300154305 ISBN 13: 9780300154306
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Buchbeschreibung Yale University Press, 2013. Hard Cover. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. First Edition /First Printing edition. This book is a 2nd edition. With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Buchnummer des Verkäufers 047842

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Haas, Michael
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Buchbeschreibung New Haven :. Yale University Press, 2013. Hardcover. Dustjacket. 376 pp.- With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. English text. Condition : as new. Condition : as new copy. ISBN 9780300154306[KEYWORDS: music, Holocaust, Jewish (1933-1945). Buchnummer des Verkäufers 244407

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10.

Haas, Michael (1954-)
Verlag: New Haven : Yale University Press (2013)
ISBN 10: 0300154305 ISBN 13: 9780300154306
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Buchbeschreibung New Haven : Yale University Press, 2013. First Edition. An exceptional copy; fine in an equally fine dust wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 358 pages; Physical description; xii, 358 pages ; 24 cm. Contents; German and Jewish -- Wagner and German Jewish composers in the nineteenth century -- An age of liberalism, Brahms, and the chronicler, Hanslick -- Mahler and his chronicler, Korngold -- The Jugendstil School of Schoenberg, Schrecker, Zemlinsky, and Weigl -- A musical migration -- Hey! We're alive! -- A question of musical potency : the Anti-romantics -- The resolute Romantics -- Between Hell and Purgatory -- Exile and worse -- Restitution. Summary; With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Michael Haas is director of research at the Jewish Music Institute's Centre for Suppressed Music, based at Royal Holloway, University of London. He lives in London. Subjects; National socialism and music. Music and antisemitism - Germany - History. Music and antisemitism - Austria - History. Music - Social aspects - Germany - History. Music - Social aspects - Austria - History. Jewish musicians - Germany - History. Jewish musicians - Austria - History. Music by Jewish composers - Germany - History and criticism. Music by Jewish composers - Austria - History and criticism. Music history - Jewish. Music history - Germany - 20th century. Jewish music. Composers, Jewish - Germany - Biography. 1 Kg. 358 pp. Buchnummer des Verkäufers 226584

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