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Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans.
Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
Über die Autorin bzw. den Autor: Cedric J. Robinson (1940-2016) was professor of Black Studies and political science at the University of California, Santa Barbara. He is author of four other books, including Black Marxism: The Making of the Black Radical Tradition (from the University of North Carolina Press).
Titel: Forgeries of Memory and Meaning: Blacks and ...
Verlag: The University of North Carolina Press
Erscheinungsdatum: 2007
Einband: Softcover
Zustand: New
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers FW-9780807858417
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Paperback. Zustand: Brand New. 445 pages. 9.25x6.00x1.00 inches. In Stock. This item is printed on demand. Bestandsnummer des Verkäufers __0807858412
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Paperback or Softback. Zustand: New. Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film Before World War II. Book. Bestandsnummer des Verkäufers BBS-9780807858417
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Zustand: New. Offers an understanding of race in America through an analysis of theater and film of the early twentieth century. This work argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Num Pages: 448 pages, 21 illustrations, notes, index. BIC Classification: 1KBB; 3JJC; 3JJF; AN; APFA; JFSL3. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 30. Weight in Grams: 667. . 2007. New. paperback. . . . . Bestandsnummer des Verkäufers V9780807858417
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Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. Bestandsnummer des Verkäufers B9780807858417
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Paperback. Zustand: New. Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early ""talkies"" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema. Bestandsnummer des Verkäufers LU-9780807858417
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Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early ""talkies"" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema. Bestandsnummer des Verkäufers LU-9780807858417
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves USA United, OSWEGO, IL, USA
Paperback. Zustand: New. Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early ""talkies"" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema. Bestandsnummer des Verkäufers LU-9780807858417
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Offers an understanding of race in America through an analysis of theater and film of the early twentieth century. This work argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Num Pages: 448 pages, 21 illustrations, notes, index. BIC Classification: 1KBB; 3JJC; 3JJF; AN; APFA; JFSL3. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 30. Weight in Grams: 667. . 2007. New. paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780807858417
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