Format Friction : Perspectives on the Shellac Disc

Gavin Williams

ISBN 10: 0226833267 / ISBN 13: 9780226833262

Verlag: The University Of Chicago Press Jun 2024, 2024

Beschreibung

Neuware - 'With the rise of the gramophone circa 1900, the shellac disc mushroomed into the dominant sound format of the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor as well as early colonial expeditions to capture sounds, to offer a global portrait of this format. Spun at 78 revolutions per minute, the shellac disc had become an industrial standard, even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Yet the recording of sounds was only one element in the making of this global format. Using friction as a lens, Gavin Williams reveals the environments plundered, the materials seized, the ears entangled. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium and so too explores new ways of understanding listening in technological culture more broadly'. Bestandsnummer des Verkäufers 9780226833262

Bibliografische Details

Titel: Format Friction : Perspectives on the ...

Verlag: The University Of Chicago Press Jun 2024

Erscheinungsdatum: 2024

Einband: Taschenbuch

Zustand: Neu

Über diesen Titel

Inhaltsangabe:

The first book to consider the shellac disc as a global format.

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.

Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.

Über die Autorin bzw. den Autor:

Gavin Williams is a lecturer in music at King’s College London. He is the editor of Hearing the Crimean War: Wartime Sound and the Unmaking of Sense.