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Inhaltsangabe: What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and academics may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we may say that we don't "like" it. How is taking pleasure from music related to understanding it? This book explores these and other issues as they arise in various musical contexts. Performers' interpretations may be filled with errors, after all, that then become part of a tradition; a composer's work may be variously assessed by his or her contemporaries - an account of how Beethoven's reputation was established so early is included - and how musical analysis can mislead as well as enhance understanding of a composition. Originally the content of three lectures given in Rome in 1993 - "The Frontiers of Nonsense", "How To Become Immortal" and "Explaining the Obvious" - this work offers a study of music, as text, as performance, and as listening experience.

Inhaltsangabe: In three lucid and entertaining essays, Charles Rosen explores the true meaning of music and how this meaning changes from performer to performer, as well as audience to audience.

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Rosen, Charles
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ISBN 10: 187108265X ISBN 13: 9781871082654
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Buchbeschreibung Kahn & Averill, 1994. Paperback. Buchzustand: As New. 12mo - over 6¾ - 7¾" tall. Buchnummer des Verkäufers 008503

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Charles Rosen
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Buchbeschreibung Kahn and Averill, 1998. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers GB-9781871082654

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Buchbeschreibung Kahn & Averill. Paperback. Buchzustand: new. BRAND NEW, The Frontiers of Meaning: Three Informal Lectures on Music (2nd Revised edition), Charles Rosen, What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and academics may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we may say that we don't "like" it. How is taking pleasure from music related to understanding it? This book explores these and other issues as they arise in various musical contexts. Performers' interpretations may be filled with errors, after all, that then become part of a tradition; a composer's work may be variously assessed by his or her contemporaries - an account of how Beethoven's reputation was established so early is included - and how musical analysis can mislead as well as enhance understanding of a composition. Originally the content of three lectures given in Rome in 1993 - "The Frontiers of Nonsense", "How To Become Immortal" and "Explaining the Obvious" - this work offers a study of music, as text, as performance, and as listening experience. Buchnummer des Verkäufers B9781871082654

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Charles Rosen
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Buchbeschreibung KAHN AVERILL, United Kingdom, 1998. Paperback. Buchzustand: New. 2nd Revised edition. 186 x 126 mm. Language: English . Brand New Book. What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and academics may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we may say that we don t like it. How is taking pleasure from music related to understanding it? This book explores these and other issues as they arise in various musical contexts. Performers interpretations may be filled with errors, after all, that then become part of a tradition; a composer s work may be variously assessed by his or her contemporaries - an account of how Beethoven s reputation was established so early is included - and how musical analysis can mislead as well as enhance understanding of a composition. Originally the content of three lectures given in Rome in 1993 - The Frontiers of Nonsense , How To Become Immortal and Explaining the Obvious - this work offers a study of music, as text, as performance, and as listening experience. Buchnummer des Verkäufers AAO9781871082654

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Buchbeschreibung KAHN AVERILL, United Kingdom, 1998. Paperback. Buchzustand: New. 2nd Revised edition. 186 x 126 mm. Language: English . Brand New Book. What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and academics may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we may say that we don t like it. How is taking pleasure from music related to understanding it? This book explores these and other issues as they arise in various musical contexts. Performers interpretations may be filled with errors, after all, that then become part of a tradition; a composer s work may be variously assessed by his or her contemporaries - an account of how Beethoven s reputation was established so early is included - and how musical analysis can mislead as well as enhance understanding of a composition. Originally the content of three lectures given in Rome in 1993 - The Frontiers of Nonsense , How To Become Immortal and Explaining the Obvious - this work offers a study of music, as text, as performance, and as listening experience. Buchnummer des Verkäufers AAO9781871082654

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Buchbeschreibung Paperback. Buchzustand: New. Not Signed; What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and academics may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we may say that we don't lik. book. Buchnummer des Verkäufers ria9781871082654_rkm

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Buchbeschreibung Kahn & Averill, 1998. Buchzustand: New. Buchnummer des Verkäufers GH9781871082654

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Charles Rosen
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Buchbeschreibung Kahn & Averill, 2006. Paperback. Buchzustand: Brand New. 2nd ed edition. 148 pages. 7.32x4.96x0.63 inches. In Stock. Buchnummer des Verkäufers __187108265X

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