Garage Rock and Its Roots

Eric James Abbey

ISBN 10: 0786425644 / ISBN 13: 9780786425648
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Not Signed; When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can. Buchnummer des Verkäufers

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Inhaltsangabe: When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society.

About the Author: Musician and award winner Eric James Abbey teaches at Oakland Community College. He lives in Detroit, Michigan.

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Titel: Garage Rock and Its Roots
Einband: Paperback
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Abbey, Eric James
Verlag: McFarland & Company (2006)
ISBN 10: 0786425644 ISBN 13: 9780786425648
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Buchbeschreibung McFarland & Company, 2006. Buchzustand: Very Good. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP81073154

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Buchbeschreibung McFarland & Company, 2006. Paperback. Buchzustand: Good. Good Condition. Reasonable wear. Still very usable. Clean, mark-free interior! SHIPS WITHIN 24 HOURS! Tracking Provided. DHL processing & USPS delivery for an average of 3-5 Day Standard & 2-3 Day Expedited! FREE INSURANCE! Fast & Personal Support! Careful Packaging. No Hassle, Full Refund Return Policy!. Buchnummer des Verkäufers mon0000597717

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Buchbeschreibung McFarland & Co Inc, U.S.A., 2006. Soft cover. Buchzustand: New. New book with minor shelf wear from the bookstore. Buchnummer des Verkäufers 000297

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Buchbeschreibung McFarland and Co Inc, 2006. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CE-9780786425648

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Buchbeschreibung McFarland & Co Inc. Paperback. Buchzustand: new. BRAND NEW, Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality, Eric James Abbey, When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that under gird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within post-modern society. Buchnummer des Verkäufers B9780786425648

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Eric James Abbey
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Buchbeschreibung McFarland Co Inc, United States, 2006. Paperback. Buchzustand: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and selling out permeate the modern culture of garage rock. Pure rock from the 50s, 60s and 70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that under gird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within post-modern society. Buchnummer des Verkäufers BTE9780786425648

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Eric James Abbey
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Buchbeschreibung McFarland Co Inc, United States, 2006. Paperback. Buchzustand: New. Language: English . Brand New Book. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and selling out permeate the modern culture of garage rock. Pure rock from the 50s, 60s and 70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that under gird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within post-modern society. Buchnummer des Verkäufers AAN9780786425648

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Eric James Abbey
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Buchbeschreibung McFarland Co Inc, United States, 2006. Paperback. Buchzustand: New. Language: English . Brand New Book. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and selling out permeate the modern culture of garage rock. Pure rock from the 50s, 60s and 70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that under gird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within post-modern society. Buchnummer des Verkäufers AAN9780786425648

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Buchbeschreibung McFarland & Company, 2006. Paperback. Buchzustand: Very Good. Great condition with minimal wear, aging, or shelf wear. Buchnummer des Verkäufers P020786425644

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Abbey, Eric James
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Buchbeschreibung McFarland & Company, 2006. Paperback. Buchzustand: Like New. Almost new condition. Buchnummer des Verkäufers P010786425644

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