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Inhaltsangabe: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ...not a country. I told him so. I wish to begin. Lining. Of that thing. By that time. It. Or. It. Was. How. We don't know whom to invite for lunch. You told me you'd tell me. I don't know. Either. I do get wonderful action into them don't I. Blame. Worthy. Out. Standing. Eraser. That was a seat. Leave it out. Seat. Stretch. Sober. Left. Over. Curling. Irresistible. I come to it at last. I know what I want. Call. Tried. To be. Just. Seated. Beside. The. Meaning. Please come. I met. A steady house which was neither blocking nor having as if it would for the road. He looks like it. A ladder insults. Me. I do stem when in. I don't look at them any more. Johnny Grey. What did I say. I said I would leave it. He was so kind. That was lasting. I am so certain. Please. It's remarkable that I can make good sentences. It reminds me of a play that I remember which is better. It is better. Everything. In. I am coming. To it. I know it. Please. Pleased. Pleased with me. Pleased with me. Canvas covers. I wished to go away. I asked for an astonishing green I asked for more Bertie. I asked only once. Pack it. Package. A little leaving. We went to eat. I have plenty of food. Always. Nearly. Always. Certainly. By an example. I was never afraid. He doesn't say anything. In that way. Not after. He was. Sure. Of it. Then. By then. We were. In Munich. And sat. Today. By way Of Staring. And nearly all of it In. That. Shining. Firm. Spread. Paul. Slices. If I copy nature. If I copy nature. If I copy nature. If I copy nature. For it. Open. Seen Piling. Left. In. Left in. Not in. Border Sew. Why. Spaces. I. Mean. To. Laugh. Do be. Do be all. Do be all out. If you can. Come. To stay. And. After. All. Have. A. Night. Which. Means. That. There Is. Not This Essential. By...
From the Back Cover: This book offers readers a fascinating view of the range of Gertrude Stein's styles and her radical manipulation of genres during the most fertile and prolific years of her avant-garde experiments--1908 to 1920.
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