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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Anna G. Piotrowska has written an insightful look into the ways the music of the Romany people was understood and appropriated in Europe. Concentrating on the long nineteenth century, Piotrowska introduces readers to the use of Gypsy themes in various musical genres, from stage works to instrumental miniatures, and allows us to appreciate how academic discourse influenced the shaping of what can be called the topos of Gypsy music in European culture.". Buchnummer des Verkäufers

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Críticas: Anna G. Piotrowska has written an insightful look into the ways the music of the Romany people was understood and appropriated in Europe. Concentrating on the long nineteenth century, Piotrowska introduces readers to the use of Gypsy themes in various musical genres, from stage works to instrumental miniatures, and allows us to appreciate how academic discourse influenced the shaping of what can be called the topos of Gypsy music in European culture. Zinaida Kartasheva, Moscow State University of Culture and Arts" An admirably thorough and thoughtful approach to a question that has vexed musicians and musicologists since the eighteenth century. Jeremy Yudkin, professor of music and chair of the Department of Musicology and Ethnomusicology, Boston University" Combining musicological knowledge with historical awareness and cultural perspective, Piotrowska takes the reader on a journey to several European countries and gives us a panoramic yet detailed presentation of the appropriation of Gypsy music, contextualizing compositions to their sociological and historical circumstances. Mikhail Uvarov, Saint Petersburg State University" "Anna G. Piotrowska has written an insightful look into the ways the music of the Romany people was understood and appropriated in Europe. Concentrating on the long nineteenth century, Piotrowska introduces readers to the use of Gypsy themes in various musical genres, from stage works to instrumental miniatures, and allows us to appreciate how academic discourse influenced the shaping of what can be called the topos of Gypsy music in European culture."--Zinaida Kartasheva, Moscow State University of Culture and Arts "An admirably thorough and thoughtful approach to a question that has vexed musicians and musicologists since the eighteenth century."--Jeremy Yudkin, professor of music and chair of the Department of Musicology and Ethnomusicology, Boston University "Combining musicological knowledge with historical awareness and cultural perspective, Piotrowska takes the reader on a journey to several European countries and gives us a panoramic yet detailed presentation of the appropriation of Gypsy music, contextualizing compositions to their sociological and historical circumstances."--Mikhail Uvarov, Saint Petersburg State University

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Piotrowska, Anna G.
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Buchbeschreibung Northeastern. Zustand: Used - Like New. Fine. Paperback. 2013. Originally published at $35. Bestandsnummer des Verkäufers W93962

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Buchbeschreibung Northeastern. Zustand: New. Fine. Paperback. 2013. Originally published at $35. Bestandsnummer des Verkäufers W93962b

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Buchbeschreibung University Press of New England, United States, 2013. Paperback. Zustand: New. Language: English . Brand New Book. Translated from the Polish, Anna G. Piotrowska s Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The author begins by identifying two models of discourse on Gypsy music: those of assimilation, as in the national music of Hungary and Spain, and nonassimilating types, which often fall into racial stereotypes and associations with the exotic. Using these broad typologies as a jumping-off point, she then details the stimulating influence that Gypsy music had on a variety of European musical forms, including opera, vaudeville, ballet, and vocal and instrumental compositions. The author analyzes the use of Gypsy themes and idioms in the music of recognized giants such as Bizet, Strauss, and Paderewski, detailing the composers use of scale, form, motivic presentations, and rhythmic tendencies, and also discusses the impact of Gypsy music on emerging national musical forms. This is the first comprehensive treatment of Gypsy musical forms and their impact on European musical taste and styles from the eighteenth to the twentieth centuries and will be welcomed by scholars and students in ethnomusicology, anthropology, cultural studies, and the history of music. Bestandsnummer des Verkäufers POW9781555538378

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Buchbeschreibung Northeastern. PAPERBACK. Zustand: Very Good. 1555538371 Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice!. Bestandsnummer des Verkäufers Z1555538371Z2

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Buchbeschreibung Northeastern. PAPERBACK. Zustand: Fine. 1555538371 Like New Condition. No Sales Tax. Bestandsnummer des Verkäufers Z1555538371Z1

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Buchbeschreibung Northeastern. PAPERBACK. Zustand: New. 1555538371 New. Bestandsnummer des Verkäufers Z1555538371ZN

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Buchbeschreibung Northeastern, 2013. Paperback. Zustand: New. book. Bestandsnummer des Verkäufers M1555538371

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Buchbeschreibung Northeastern Univ Press, Boston, MA, 2013. Soft cover. Zustand: Fine. Zustand des Schutzumschlags: No Jacket, as Published. 1st Edition. Unused pristine first edition bound in stiff illustrated paper wraps. Examines the profound impact of Gypsy music on European culture in countries where it was assimilated (Hungary and Spain), and in non-assimilating regions where it is viewed as an exotic racial stereotype. 260 pages includes index, bibliography. Bestandsnummer des Verkäufers 2080139008

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Buchbeschreibung Northeastern, 2013. Zustand: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Bestandsnummer des Verkäufers 1555538371-2-4

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Buchbeschreibung University Press of New England, United States, 2013. Paperback. Zustand: New. Language: English . Brand New Book. Translated from the Polish, Anna G. Piotrowska s Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The author begins by identifying two models of discourse on Gypsy music: those of assimilation, as in the national music of Hungary and Spain, and nonassimilating types, which often fall into racial stereotypes and associations with the exotic. Using these broad typologies as a jumping-off point, she then details the stimulating influence that Gypsy music had on a variety of European musical forms, including opera, vaudeville, ballet, and vocal and instrumental compositions. The author analyzes the use of Gypsy themes and idioms in the music of recognized giants such as Bizet, Strauss, and Paderewski, detailing the composers use of scale, form, motivic presentations, and rhythmic tendencies, and also discusses the impact of Gypsy music on emerging national musical forms. This is the first comprehensive treatment of Gypsy musical forms and their impact on European musical taste and styles from the eighteenth to the twentieth centuries and will be welcomed by scholars and students in ethnomusicology, anthropology, cultural studies, and the history of music. Bestandsnummer des Verkäufers POW9781555538378

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