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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: A lavish new look at a key nineteenth-century tourist region and the art it inspired. Buchnummer des Verkäufers

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Inhaltsangabe: The White Mountains, solid and ageless peaks of granite, rise up across the landscape of northern New Hampshire. Their natural beauty has inspired visitors to the state for centuries. Generations of visitors to the mountains have found something new and meaningful for themselves and for the culture in which they live.

By the middle of the nineteenth century the region?s magnificent and varied scenery attracted tourists and artists from around the country as well as from Europe. More than four hundred artists are known to have painted White Mountain scenes before 1900. Artists who visited New Hampshire during the second half of the nineteenth century interpreted White Mountain scenery in ways designed to appeal to and attract tourists and to serve as souvenirs of their mountain visits. Hotel owners encouraged painters to work and to take up residence in the White Mountain hotels. Paintings enriched the tourists? sensibilities and enhanced an appreciation of the landscape, even as a growing middle class was gaining cultural as well as economic power. Merchants, bankers, and attorneys, along with their families, embraced gentility by acquiring, displaying, and contemplating paintings. For some these paintings remained mere symbols of their own rising economic status. For others these objects and images were of more spiritual than economic value.

Each painting included in this book presents a compelling and unique perspective of a White Mountain locale. All thirty-seven paintings featured are reproduced in full color. The artworks are organized geographically, following routes nineteenth century travelers took while touring the White Mountains. The reader will be able to explore the key sites that attracted tourists and inspired artists, beginning and ending with a visit to North Conway, home of the earliest White Mountain artists? community.

Thirty-three authors from many different disciplines have contributed to this publication. Approaching the subject from a variety of perspectives, they reveal the story and significance of White Mountain scenery, of the nineteenth-century artists who depicted it, and of the people (consumers) who acquired, owned, and cherished White Mountain art.

Über den Autor: DONNA-BELLE GARVIN is the editor of New Hampshire Historical Society's journal, Historical New Hampshire, and former curator of the Society's Museum of New Hampshire History. She is the author of several articles and has co-authored and edited books and exhibition catalogues on New Hampshire history, including Jerald E. Brown's The Years of the Life of Samuel Lane 1718-1806 (UPNE, 2000) and On the Road North of Boston: New Hampshire's Taverns and Turnpikes 1700-1900 (NHHS, 1988; republished UPNE, 2003).

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Verlag: NH Historical Society 2006-11-30 (2006)
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Buchbeschreibung NH Historical Society 2006-11-30, 2006. Hardcover. Buchzustand: Very Good. 1584656131 Great used condition. A portion of your purchase of this book will be donated to non-profit organizations. Over 1,000,000 satisfied customers since 1997! We ship daily M-F. Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders. Buchnummer des Verkäufers Z1584656131Z2

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Buchbeschreibung NH Historical Society. Hardcover. Buchzustand: Very Good. 1584656131 Satisfaction Guaranteed. Please contact us with any inquiries. We ship daily. Buchnummer des Verkäufers Z1584656131Z2

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Buchbeschreibung NH Historical Society. Hardcover. Buchzustand: New. 1584656131 . Buchnummer des Verkäufers LLM3682.2AMHMHM032217O0655P

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Editor-Donna Garvin
Verlag: NH Historical Society (2006)
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Buchbeschreibung NH Historical Society, 2006. Hardcover. Buchzustand: Used: Very Good. Buchnummer des Verkäufers SONG1584656131

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NEW HAMPSHIRE HISTORICAL SOCIETY, Donna Garvin (ed)
Verlag: New Hampshire Historical Society / University Press of New England, 2006 (2006)
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Buchbeschreibung New Hampshire Historical Society / University Press of New England, 2006, 2006. Buchzustand: near fine. Pbk 4to 119pp profusely illustr slight shelfwear to covers otherwise an excellent clean tight unmarked copy. Buchnummer des Verkäufers NH198

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New Hampshire Historical Society
Verlag: New Hampshire Historical Society, Concord, NH (2006)
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Buchbeschreibung New Hampshire Historical Society, Concord, NH, 2006. Hardcover. Royal blue cloth, gilt letters on spine & front cover, blue & color illus. dust jacket, 119 pp., 60 BW illus. & 50 color illus. Issued in conjunction with a 2006-2007 exhibition of artwork depicting the life and landscape of the mountains of northern New Hampshire. "Explores the complex relationship among nature, art, and tourism in this region, incorporating the latest scholarship yet accessible to a general audience." (dj) With illustrated narratives from a variety of authors. A terrific memory-evoker for anyone who has traveled through this region. VG (Few marks from previous gallery owner.). Buchnummer des Verkäufers 142617

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Balla, Wesley G. (introduction)
Verlag: New Hampshire Historical Society,, Concord, New Hampshire (2006)
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Buchbeschreibung New Hampshire Historical Society,, Concord, New Hampshire, 2006. Original Wraps. Buchzustand: Fine. 4to - over 9¾ - 12" tall. Exhibition catalogue. 120 p. 110 ill. (51 color). Catalogue of 37 works (mostly paintings), with substantial essays on each, including chronologies for the artists, by various contributors. Preface by Roger E. Belson and John J. Henderson; title essay by Wesley G. Balla; bibliography; notes on contributors. Especially valuable for essays on some of the lesser-known artists, of whom little had previously been published: Harrison Bird Brown, John William Casilear, Anne Sophia Towne Darrah, Lemuel D. Eldred, Bradford Freeman, George Albert Frost, Samuel Lancaster Gerry, Edward Hill, William Henry Hilliard, Sylvester Phelps Hodgson, John Ross Key, Charles Wilson Knapp, Edmund Darch Lewis, Captail L. Lüthy, Ferdinand Reichardt, Horace Wolcott Robinson, Jr., John White Allan Scott, Jean Paul Selinger, Frank Henry Shapleigh, Franklin Stanwood, George W. Waters, and Erdix Tenney Wilson. Buchnummer des Verkäufers 025995

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New Hampshire Historical Society.
Verlag: New Hampshire Historical Society / Distributed by University Press of New England, Hanover & London,, Concord, New Hampshire (2006)
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Buchbeschreibung New Hampshire Historical Society / Distributed by University Press of New England, Hanover & London,, Concord, New Hampshire, 2006. Cloth. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. 4to - over 9¾" - 12" tall. D.j., 119 p. 112 ill. (42 color). Catalogue of 37 paintings by thirty-two artists, with essays on each work by various contributors. Preface by Roger E. Belson and John J. Henderson; title essay by Wesley G. Balla; artist's biographical chronologies; bibliography, p. 117-118; notes on contributors. Buchnummer des Verkäufers 022961

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Garvin, Donna-belle (editor).
Verlag: Distributed for New Hampshire Historical Society by University Press of New England, Lebanon (2006)
ISBN 10: 1584656131 ISBN 13: 9781584656135
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Buchbeschreibung Distributed for New Hampshire Historical Society by University Press of New England, Lebanon, 2006. Hardcover. Buchzustand: New. First Edition.. 120 pages. Hardcover with dustjacket. New book. NEW HAMPSHIRE. A lavish new look at a key nineteenth-century tourist region and the art it inspired. The White Mountains, solid and ageless peaks of granite, rise up across the landscape of northern New Hampshire. Their natural beauty has inspired visitors to the state for centuries. Generations of visitors to the mountains have found something new and meaningful for themselves and for the culture in which they live. By the middle of the nineteenth century the region's magnificent and varied scenery attracted tourists and artists from around the country as well as from Europe. More than four hundred artists are known to have painted White Mountain scenes before 1900. Artists who visited New Hampshire during the second half of the nineteenth century interpreted White Mountain scenery in ways designed to appeal to and attract tourists and to serve as souvenirs of their mountain visits. Hotel owners encouraged painters to work and to take up residence in the White Mountain hotels. Paintings enriched the tourists' sensibilities and enhanced an appreciation of the landscape, even as a growing middle class was gaining cultural as well as economic power. Merchants, bankers, and attorneys, along with their families, embraced gentility by acquiring, displaying, and contemplating paintings. For some these paintings remained mere symbols of their own rising economic status. For others these objects and images were of more spiritual than economic value. Each painting included in this book presents a compelling and unique perspective of a White Mountain locale. All thirty-seven paintings featured are reproduced in full color. The artworks are organized geographically, following routes nineteenth century travelers took while touring the White Mountains. The reader will be able to explore the key sites that attracted tourists and inspired artists, beginning and ending with a visit to North Conway, home of the earliest White Mountain artists' community. Thirty-three authors from many different disciplines have contributed to this publication. Approaching the subject from a variety of perspectives, they reveal the story and significance of White Mountain scenery, of the nineteenth-century artists who depicted it, and of the people (consumers) who acquired, owned, and cherished White Mountain art. (Key Words: Art History, New England, White Mountains, New Hampshire, Donna-Belle Garvin, Tourism, Travel, North Conway). book. Buchnummer des Verkäufers 40323X3

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Verlag: NH Historical Society (2006)
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Buchbeschreibung NH Historical Society, 2006. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 1584656131

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