ISBN 10: 0691033668 / ISBN 13: 9780691033662
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This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles.


Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. But the recognition of particular sculptors is a means rather than an end in this book. Similarities and differences within this huge body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium.


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"This book is based on the author's first-hand, optic and tactile knowledge of Byzantine ivory carvings.... The expertise behind Cutler's argument is unique, as are the magnificent detailed photographs. 'The Hand of the Master' should be read by all Byzantinists and by historians of Western medieval art, as well as by anyone with an interest in traditional luxury crafts."--Dale Kinney, Bryn Mawr College


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1.

Cutler, Anthony
Verlag: Princeton University Press (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press, 1994. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. Text and images are unmarked; pages are bright. Binding is tight and square. Dust jacket is ever so slightly edgeworn. Overseas/Priority shipping at cost. 293pp. Buchnummer des Verkäufers 056305

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Anthony Cutler
Verlag: PRINCETON UNIVERSITY PRESS 1
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung PRINCETON UNIVERSITY PRESS 1. Hardcover. Buchzustand: Good. Zustand des Schutzumschlags: Fair. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. Book in excellent condition. DJ is worn. General. Book: USED, Good. Dust Jacket: Fair. Bookseller Inventory # 01978069103366200. Buchnummer des Verkäufers 01978069103366200

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Cutler, Anthony
Verlag: Princeton University Press, Princeton, New Jersey (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press, Princeton, New Jersey, 1994. Hardcover. Buchzustand: VG. Cream canvas, olive & sage & illus. dust jacket, 293 pp., 247 BW illus., 8 color plates. "The first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when workd in that medium reached its highest level of attainment. Unique in its aim and range, [this book] considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles." (dj). Buchnummer des Verkäufers 152762

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Cutler, Anthony
Verlag: Princeton University Press (1994), Princeton (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press (1994), Princeton, 1994. orig. cloth. 26x20cm, xv,293,(8) pp, Name inked on flyleaf. Weighs 1.2 kilos. Contents: The Power of Ivory -- The Modern Response -- The Byzantine Response -- Varieties of Experience -- Conditions of Production -- The Quantity and Quality of Ivory -- "Colonial" Tusks and Domestic Bone -- The Question of Workshops -- Stages of Production -- Cutting the Panel -- An Excursus on Tools -- From Panel to Plaque -- Carving the Figures -- Detailing -- Finishing and Assembling -- The Master in Context -- Craftsman, Designer, Client -- Artistic Identity in Byzantium -- Signs of the Master -- The Guidance of the Hodegetria -- Problems of Classification and Chronology -- "Groups" and Individuals -- Toward a History: Datable Works and Minimal Clusters -- The Implications of Contemporaneity -- Ivory in Byzantium Society -- Users and Uses -- The Culture of the Clientele. [" This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands.,.," - publisher's description]. Light binding corner bumps. Some rubbing to dustwrapper. VG., dustwrapper. Buchnummer des Verkäufers 029557

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Anthony Cutler,
Verlag: Princeton University Press June 1994 (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press June 1994, 1994. Hardcover. Buchzustand: Used - Very Good. This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. But the recognition of particular sculptors is a means rather than an end in this book. Similarities and differences within this huge body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector. Buchnummer des Verkäufers 181407

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Cutler, Anthony
Verlag: Princeton University Press (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press, 1994. Buchzustand: Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP13067245

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Cutler, Anthony
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Buchbeschreibung Princeton University Press, 1994. Buchzustand: Very Good. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP95411712

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Cutler, Anthony
Verlag: Princeton University Press (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press, 1994. Hardcover. Buchzustand: New. Buchnummer des Verkäufers P110691033668

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Anthony Cutler
Verlag: Princeton University Press (1994)
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Buchbeschreibung Princeton University Press, 1994. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0691033668

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Anthony Cutler
Verlag: Princeton University Press (1994)
ISBN 10: 0691033668 ISBN 13: 9780691033662
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Buchbeschreibung Princeton University Press, 1994. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0691033668

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