Havergal Brian on Music (Paperback). Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Toccata Press, London, 1986
- Softcover
- Neu

Anbieter: Grand Eagle Retail, Bensenville, IL, USAGrand Eagle Retail
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Zustand: Neu
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Artikelbeschreibung des Verkäufers
Paperback. Havergal Brian (1876 to 1972) was not only Britain's most prolific symphonist (he composed 32); he was also a comparative productive musical journalist. His articles, reviews, editorials, personality profiles and columns of comment on contemporary events -- sometimes pseudonymous, often unsigned -- reveal him as a highly perceptive if sometimes idiosyncratic observer, with a startling breadth of interest and a fund of personal reminiscence, many of whose insights were well in advance of his time. This first volume of selections of his writings brings together many of Brian's principal writings on the composers and events of the British Musical Renaissance -- from polemical articles written when actively campaigning for his fellow-composers in the Midlands before World War I to more considered appraisals of the inter-War period. Best known as a prolific composer of symphonies, this volume pulls together Brian's much less known vast journalistic output and explores personal insights and reminiscence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Bestandsnummer des Verkäufers 9780907689201
- Titel
- Havergal Brian on Music (Paperback)
- Autor
- Havergal Brian
- Verlag
- Toccata Press, London
- Erscheinungsjahr
- 1986
- Zustand
- new
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 0907689205
- ISBN-13
- 9780907689201
This first volume of selections of his writings brings together many of Brian's principal writings on the composers and events of the British Musical Renaissance from polemical articles written when actively campaigning for his fellow-composers in the Midlands before World War I to more considered appraisals of the inter-War period. As well as discussing a wide range of composers, from Elgar and Delius to Britten and Billy Mayerl, he can be found here reviewing festivals, adjudicating at brass-band championships at the Crystal Palace [and watching the Palace burn down in 1936], proposing schemes for the encouragement of orchestral music, and casting a critical eye on the burgeoningpower and influence of the B.B.C.
Malcolm MacDonald's substantial introduction and annotations make this book both a work of scholarship and an important historical source for an understanding of the British music of the early twentieth century.
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