ISBN 10: 0826514235 / ISBN 13: 9780826514233
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: This book constitutes a popular, and decidedly populist, history of country music. Its interwoven essays showcase the music's myriad roots and influences: stringband stomps and western swing, hillbilly boogie and honky-tonk, the Nashville Sound and the neo-traditionalist movement, plus everything from blues and bluegrass to rockabilly and country-rock, even soul. What's more, by focusing on the records that defined the music to generations of fans, as well as on the singers, songwriters, producers, and pickers who made them, the book offers a fresh, inclusive, at times provocative way of listening to country music -- one that champions innovation and tradition even as it challenges many of the genre's prevailing assumptions.Heartaches by the Number takes the reader all the way from Patsy Montana's "I Want to Be a Cowboy's Sweetheart" and Hank Williams's "I Saw the Light" to Merle Haggard's "Mama Tried" and Lee Ann Womack's "I Hope You Dance." It includes classics like Patsy Cline's "Crazy" Gene Autry's "Back in the Saddle Again; ' Dolly Parton's "I Will Always Love You, " George Jones's "He Stopped Loving Her Today, " and Garth Brooks' "The Dance, " plus surprises from the likes of Bing Crosby, Elvis Presley, Ray Charles, and others.Part encyclopedia, part history, part collection of record reviews, yet not quite any of these things, Heartaches by the Number is instead an argument for a sensibility, a way of hearing. It's comprised of critical essays that each can stand alone but that, when rea in sequence, comment upon each other and tell a larger story -- one that challenges and redefines what country music is and what it can mean. Buchnummer des Verkäufers

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Inhaltsangabe: This book constitutes a popular, and decidedly populist, history of country music. Its interwoven essays showcase the music's myriad roots and influences: stringband stomps and western swing, hillbilly boogie and honky-tonk, the Nashville Sound and the neo-traditionalist movement, plus everything from blues and bluegrass to rockabilly and country-rock, even soul. What's more, by focusing on the records that defined music to generations of fans, as well as on the singers, songwriters, producers, and pickers who made them, the book offers a fresh, inclusive, at times provocative way of listening to country music--one that champions innovation and tradition even as it challenges many of the genre's prevailing assumptions.

Heartaches by the Number takes the reader all the way from Patsy Montana's "I Want to Be a Cowboy's Sweetheart" and Hank Williams's "I Saw the Light" to Merle Haggard's "Mama Tried" and Lee Ann Womack's "I Hope You Dance." It includes classics like Patsy Cline's "Crazy," Gene Autry's "Back in the Saddle Again," Dolly Parton's "I Will Always Love You," George Jones's "He Stopped Loving Her Today," and Garth Brooks's "The Dance," plus surprises from the likes of Bing Crosby, Elvis Presley, and Ray Charles, among others.

Part encyclopedia, part history, part collection of record reviews, yet not quite any of these things, Heartaches by the Number is instead an argument for a sensibility, a way of hearing. It's comprised of critical essays that each can stand alone, but that, when read in sequence, comment upon each other and tell a larger story--one that challenges and redefines what country music is and what it can mean.

Inhaltsangabe: This volume constitutes a populist history of country music. Its interwoven essays showcase the music's myriad roots and influences: stringband stomps and western swing, hillbilly boogie and honky-tonk, the Nashville sound and the neo-traditionalist movement, plus everything from blues and bluegrass to rockabilly and country-rock, even soul. It focuses on the records that defined the music to generations of fans, as well as the singers, songwriters, producers and pickers who made them. It takes the reader all the way from Patsy Montana's "I Want to be a Cowboy's Sweetheart" to Merle Haggard's "Mama Tried".

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Cantwell, David, Friskics-Warren, Bill
Verlag: Vanderbilt University Press (2003)
ISBN 10: 0826514235 ISBN 13: 9780826514233
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Buchbeschreibung Vanderbilt University Press, 2003. Buchzustand: Very Good. 1st. N/A. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP75304676

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Cantwell, David; Friskics-Warren, Bill
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Buchbeschreibung Vanderbilt University Press, 2003. Hardcover. Buchzustand: Used: Good. Ex-library hardback book,typical library markings,no highlighting,underlining or notes. Buchnummer des Verkäufers MR3C471

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Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97808265142334.0

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Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97808265142333.0

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Cantwell, David; Bill Friskics-Warren
Verlag: Vanderbilt University / Country Music Foundation (2003)
ISBN 10: 0826514235 ISBN 13: 9780826514233
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Buchbeschreibung Vanderbilt University / Country Music Foundation, 2003. Hardcover. Buchzustand: Very good. 1st. Bound in the publisher's original illustrated paper over boards. Shelf wear to boards, particularly at the head and heel. Buchnummer des Verkäufers 9019289

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Buchbeschreibung Vanderbilt University Press, 2003. Hardcover. Buchzustand: Used: Good. We ship International with Tracking Number! May not contain Access Codes or Supplements. Buy with confidence, excellent customer service! L. Buchnummer des Verkäufers 0826514235D

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