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Inhaltsangabe: Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments.

Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani.

Über den Autor: Carolee Schneemann teaches in the MFA Program at Bard College. She is the winner of the Jimmy Ernst Award in Art presented by The American Academy of Arts and Letters. The $5000 prize is given to a "painter or sculptor whose lifetime contribution to his or her vision has been both consistent and dedicated."

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Schneemann, Carolee
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Verlag: MIT Press, Spain (2002)
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Buchbeschreibung MIT Press, Spain, 2002. Red Cloth Hardcover. Buchzustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. A pioneer of performance, installation and video art, Schneemann's book is a collection of essays, interviews and projects. AS NEW, perfect condition, pp 347, MIT, Spain. Size: 8.0 x 9.0 In. Buchnummer des Verkäufers 000983

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Buchbeschreibung MIT Press, Cambridge, MA, 2002. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: No DJ. 1st. Red cloth, 347 pp., illus., filmography, biblio., index; 24 cm. Firm binding, clean inside copy. Small remainder mark/top edge. Missing DJ. OVERSIZE! No priority/international, except by special arrangement. Painter, assemblage-maker, performance artist, filmmaker Carolee Schneemann is the influential godmother of contemporary feminist artists for her uninhibited happenings such as "Meat Joy" and films like "Fuse." "Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments. Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani. / Carolee Schneemann teaches in the MFA Program at Bard College." - Publisher. Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 050133

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Carolee Schneemann
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Carolee Schneemann,
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Buchbeschreibung MIT Press (MA) November 2001, 2001. Hardcover. Buchzustand: Used - Very Good. Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments.'Imaging Her Erotics' integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani. A visual and written record of the work of pioneer painter-performance artist Carolee Schneemann. Very nice clean, tight copy free of any marks. Buchnummer des Verkäufers 188611

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