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Inhaltsangabe: Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology?s cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco?s musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged.
Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
Vom Verlag: "Decentering understanding of the history of music in colonial Cuzco, Geoffrey Baker demonstrates the importance of moving away from the cathedral-centered analyses of the period's musical culture. Most memorably, he significantly deepens insight into the making of Andean social distinction by bringing to the fore the busy activity of Andean musicians not based in, trained by, or dependent on the Cuzco Cathedral at all."--Kathryn Burns, author of Colonial Habits: Convents and the Spiritual Economy of Cuzco, Peru
"Geoffrey Baker examines the musical culture--the soundscape--of colonial Cuzco, in all its complexity. He questions traditional scholarship on the music of Cuzco (and elsewhere in Latin America, for that matter) in which the cathedral, with its strongly Hispanic traditions, is understood as the center and focus of viceregal musical culture. In a city that was inhabited by a strong majority of indigenous descent, focus on a cathedral-centered organization rehearses a colonialist perspective. Baker successfully challenges it."--Carolyn Dean, author of Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru
Buchbeschreibung Duke University Press Books. Buchzustand: Used - Like New. 2008. Hardcover. Cloth. 8vo. 308 pp. Fine. No Dust Jacket. Buchnummer des Verkäufers C38221
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