Italian Concerto (Paperback)

Victor Shevtsov

ISBN 10: 1978386176 / ISBN 13: 9781978386174

Verlag: Createspace Independent Publishing Platform, 2017

Beschreibung

Paperback. Bach composed his "Italian Concerto" (originally titled "Concerto in the Italian Style") for harpsichord in 1734 in Leipzig. A year later it was published in Nuremberg together with the "French Overture" (originally titled "Overture in the French Style") as the second part of Clavier UEbung. In the detailed title, which Bach prefaced to this edition, he emphasized that the pieces were composed for a harpsichord with two keyboards. The dynamic signs piano and forte that Bach wrote in the score indicated on which keyboard the performer was supposed to play. Without a doubt, these instructions give the modern pianist a valuable clue to composer's dynamic design of the piece. This publication is based on the first edition that belonged to Bach himself and which he revised and corrected. Fingering is added by the editor. For advanced students and professional pianists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Bestandsnummer des Verkäufers 9781978386174

Bibliografische Details

• Titel: Italian Concerto (Paperback)
• Verlag: Createspace Independent Publishing Platform
• Erscheinungsjahr: 2017
• Sprache: Englisch
• ISBN-10: 1978386176
• ISBN-13: 9781978386174
• Einband: Paperback
• Zustand: new

Über diesen Titel

Inhaltsangabe

Bach composed his “Italian Concerto” (originally titled “Concerto in the Italian Style”) for harpsichord in 1734 in Leipzig. A year later it was published in Nuremberg together with the “French Overture” (originally titled “Overture in the French Style”) as the second part of Clavier Übung. In the detailed title, which Bach prefaced to this edition, he emphasized that the pieces were composed for a harpsichord with two keyboards. The dynamic signs piano and forte that Bach wrote in the score indicated on which keyboard the performer was supposed to play. Without a doubt, these instructions give the modern pianist a valuable clue to composer’s dynamic design of the piece. This publication is based on the first edition that belonged to Bach himself and which he revised and corrected. Fingering is added by the editor. For advanced students and professional pianists.