Very Good Soft cover.Â Signed and dated by the artist on half title page. Clean text -- NO writing, NO highlighting to text.Â Very Good condition. Oversized.Â Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY.Â NO international orders. Buchnummer des Verkäufers
Inhaltsangabe: For nearly five decades, Jacob Lawrence has been widely regarded as America’s most important black artist. His work is known throughout the world for its depiction of the black American experience from the Civil War to the civil rights movement and beyond. But Lawrence’s paintings are more than a chronicle of this history. He has created a uniquely American vision that affirms the place of all individuals in our society and honors the struggle for independence. Jacob Lawrence has given us powerful, lasting images which, when seen as a whole, constitute a narrative of epic proportions.
This major book celebrates the creative genius of Jacob Lawrence. It is the most comprehensive survey ever made of his work and traces his developments as an artists as well as places his work within the tradition of American modernism. In this context it examines for the first time works he has completed since 1974, when he was honored with a retrospective at the Whitney Museum of Art.
The paintings reproduced here illustrate a broad array of moods and subjects. Representing each of the artist’s significant periods, they range from fond portraits of Harlem street life in the 1930s to angry depictions of racial injustice during the 1960s, from images of people working in harmony to bleak depictions of civilization shattered by nuclear war. Yet together they reveal an essential unity in Lawrence’s work. His distinctive cubist-expressionist style and his basic humanist credo remain intact throughout fifty years of changing artistic fashion.
The artist’s life encompasses a broad spectrum of experience that formed the character of three American generations. He was raised in the Depression, and his first art training was through social programs under FDR’s New Deal. In the late 1930s he was employed as a painter by the WPA, then served in the Coast Guard in World War II.
From the start of his career, he achieved success and recognition in the competitive world of New York artists and galleries, all the time maintaining a powerful representational style that went counter to prevailing forces of Abstract Expressionism.
Ellen Wheat examines Jacob Lawrence’s life as an integrated whole. She discusses the cultural and political grounding of 1930s Harlem, effects on artists of the Depression and New Deal, art in New York, all in relations to Lawrence’s long-standing commitment to depicting the history of black Americans and to the narrative series format he adopted to convey it. Among other subjects, he has dealt with Toussaint L’Ouverture, Harriet Tubman, the community of Harlem, the American South, Nigeria, civil rights, and John Brown. Wheat also documents and analyzes developments in the artist’s technique and style in relation to the work of some of his teachers and peers (Charles Alston, Claude McKay, Romare Bearden) and those who influenced his work (Orozco, Albers, Grosz, Giotto).
Throughout these pages Lawrence speaks of his work and development in the first person. The author draws on her numerous interviews with the artist since 1982, as well as other sources. This chronological overview of Lawrence’s career is enhanced by over 150 illustrations of his work, 85 in color, and a generous selection of photos that place him in his studio, in the art world at large, and among his friends and colleagues.
From the Back Cover: 'My pictures express my life and experience. I paint the things I know about and the things I have experienced. The things I have experienced extend into my national, racial, and class group. So I paint the American scene.' - Jacob Lawrence, Author of American Painter
Titel: Jacob Lawrence, American Painter
Verlag: University of Washington Press
Zustand: Very Good
Buchbeschreibung University of Washington Press. Buchzustand: Good. A sound copy with only light wear. Overall a solid copy at a great price! All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. Buchnummer des Verkäufers BOS-E-12j-00020
Buchbeschreibung Seattle Art Museum. Paperback. Buchzustand: Good. Light shelving wear with minimal damage to cover and bindings. Pages show minor use. Buchnummer des Verkäufers G0932216218I3N00
Buchbeschreibung University of Washington Press. PAPERBACK. Buchzustand: Very Good. 0932216218 No International Shipping for this Book / Excellent products Shipped same day from NJ state, We offer good customer service and your orders must be in the USPS truck before 4:00 PM. Buchnummer des Verkäufers XLB-1259
Buchbeschreibung University of Washington Press / Seattle Art Museum, Seattle, WA and London, 1986. S Paperback. Buchzustand: Very Good+. 190 Color & b/w Illustrations (chiefly b/w photographs) (illustrator). F First Edition. Seattle, WA and London: University of Washington Press / Seattle Art Museum. 1986. F First Edition. S Paperback. Very Good+. Slight rubbing to wrappers (chiefly to edges); previous owner's name penned to front inside cover; else a near fine copy internally. 235 pages. Catalogue of the exhibition organized by the Seattle Art Museum, at 6 US institutions in all, July 1986 - December 1987. Foreword by Bruce Guenther; main text by Wheat, with additional essay ("Jacob Lawrence's Expressive Cubism") by Hills; biographical chronology, bibliography and index. Buchnummer des Verkäufers 00531002
Buchbeschreibung Seattle Art Museum, Seattle, Washington, U.S.A., 1986. Soft Cover. Buchzustand: Very Good+. Clean. Buchnummer des Verkäufers 22777
Buchbeschreibung University of Washington Press, 1986. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0932216218
Buchbeschreibung University of Washington, Seattle, 1986. Buchzustand: NF. Exhibition catalogue in white wraps with "Bread, Fish, Fruit" to front and author's photo to rear, 11 1/8" x 8 1/2". 235pp. Index, bibliography, notes, exhibition history, artist chronology. 109 color plates, 80 b/w figures. Thumbail b/w figures of all works in exhibition. Extreme tip of upper corner front wrap clipped with mild curl to tip lof endpaper beneath. Otherwise fine: bright, tight, sharp and unmarked. Illustrated promotional folder for Lawrence exhibition (Harriet Tubman Series) at Albright-Knox, Buffalo, laid-in. Buchnummer des Verkäufers 007204
Buchbeschreibung University of Washington Press / Seattle Art Museum, Seattle, 1986. Soft Cover. Buchzustand: Near Fine. Softcover. Slight wear at spine tips & one cover corner, otherwise condition fine, bright, tight, very clean no marks. 235 pages, b/w photos, b/w & color plates throughout. Size: 4to, 11.5 " tall. Buchnummer des Verkäufers 012095
Buchbeschreibung Seattle Art Museum July 1986, Seattle, 1986. Trade Paperback. Buchzustand: Used - Acceptable. Some underlining and shelf wear. Buchnummer des Verkäufers 49851
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97809322162123.0