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Inhaltsangabe: In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.

Hiroshi Hamaya (1915–1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year’s rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world.

Kansuke Yamamoto (1914–1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, René Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs.

Along with essays by the book’s coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.

About the Author: Judith Keller is senior curator in the Department of Photographs at the J. Paul Getty Museum. She is the author of Jo Ann Callis: Woman Twirling (Getty, 2009); Walker Evans: The Getty Collection (Getty, 1995); and Graciela Iturbide: Juchitán (Getty, 2008). Amanda Maddox is assistant curator in the Department of Photographs at the J. Paul Getty Museum. Kotaro Iizawa is a photography historian, critic, and curator based in Tokyo. Ryuichi Kaneko is a photography historian and guest curator at the Tokyo Metropolitan Museum of Photography. Jonathan M. Reynolds is associate professor of art history at Barnard College.

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Buchbeschreibung J. Paul Getty Museum, 2013. Buchzustand: Very Good. 1st Edition. Ships from Reno, NV. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP94661592

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Buchbeschreibung Getty Publications, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers WY-9781606061329

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Buchbeschreibung Getty Trust Publications, United States, 2013. Hardback. Buchzustand: New. New.. Language: English . Brand New Book. This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photography. Buchnummer des Verkäufers AAC9781606061329

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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 19053069-n

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Buchbeschreibung Getty Trust Publications, United States, 2013. Hardback. Buchzustand: New. New.. Language: English . Brand New Book. This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photography. Buchnummer des Verkäufers AAC9781606061329

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Judith Keller (editor), Amanda Maddox (editor), Kotaro Iizawa (contributions), Ryuichi Kaneko (contributions), Jonathan Reynolds (contributions)
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Buchbeschreibung Getty Publications 2013-02-14, Los Angeles, 2013. hardback. Buchzustand: New. Buchnummer des Verkäufers 9781606061329

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Buchbeschreibung Hardcover. Buchzustand: New. Hardcover. This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very dire.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 224 pages. 1.678. Buchnummer des Verkäufers 9781606061329

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Buchbeschreibung 2013. Hardcover. Buchzustand: New. Hardcover. This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 224 pages. 1.678. Buchnummer des Verkäufers 9781606061329

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Buchbeschreibung Getty Trust Publications. Hardback. Buchzustand: new. BRAND NEW, Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, Judith Keller, Amanda Maddox, This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photography. Buchnummer des Verkäufers B9781606061329

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