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Inhaltsangabe: Digital technology has transformed cinema's production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalised as regional genres such as anime and Japanese horror now challenge Hollywood's pre-eminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan's response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan's national identity. Drawing on a substantial number of interviews with auteur directors such as Kore'eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically "global" cinema.

Inhaltsangabe: This book deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal Japanese B movie genres.

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Mitsuyo Wada-Marciano
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ISBN 10: 0824835948 ISBN 13: 9780824835941
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Buchbeschreibung University of Hawai'i Press. Hardback. Buchzustand: new. BRAND NEW, Japanese Cinema in the Digital Age, Mitsuyo Wada-Marciano, Digital technology has transformed cinema's production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalised as regional genres such as anime and Japanese horror now challenge Hollywood's pre-eminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan's response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan's national identity. Drawing on a substantial number of interviews with auteur directors such as Kore'eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically "global" cinema. Buchnummer des Verkäufers B9780824835941

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Buchbeschreibung University of Hawai'i Press, 2012. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CE-9780824835941

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Buchbeschreibung University of Hawaii, 2012. Buchzustand: Brand New. Buchnummer des Verkäufers a32754

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808248359410000000

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Buchbeschreibung University of Hawai i Press, United States, 2012. Hardback. Buchzustand: New. New.. 254 x 155 mm. Language: English . Brand New Book. Digital technology has transformed cinema s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalised as regional genres such as anime and Japanese horror now challenge Hollywood s pre-eminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan s response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan s national identity. Drawing on a substantial number of interviews with auteur directors such as Kore eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically global cinema. Buchnummer des Verkäufers AAN9780824835941

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Buchbeschreibung University of Hawai i Press, United States, 2012. Hardback. Buchzustand: New. New.. 254 x 155 mm. Language: English . Brand New Book. Digital technology has transformed cinema s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalised as regional genres such as anime and Japanese horror now challenge Hollywood s pre-eminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan s response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan s national identity. Drawing on a substantial number of interviews with auteur directors such as Kore eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically global cinema. Buchnummer des Verkäufers AAN9780824835941

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WADA-MARCIANO, MITSUYO.
Verlag: University of Hawaii Press., United States. (2012)
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Buchbeschreibung University of Hawaii Press., United States., 2012. Black and white photographic illustrations, xi + 178 pages, index, bibliography, notes, dustjacket. Digital technology has transformed cinema's production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalized as regional genres such as anime and Japanese horror now challenge Hollywood's preeminence in global cinema. Mitsuyo Wad-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie gentres. She argues persuasively that convergence culture, which these films represent, constitutes Japan's response to the variegated flows of global economics and culture. Buchnummer des Verkäufers 138877

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Buchbeschreibung Univ of Hawaii Pr, 2012. Hardcover. Buchzustand: Brand New. 216 pages. 9.50x6.25x0.75 inches. In Stock. Buchnummer des Verkäufers __0824835948

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Buchbeschreibung Univ of Hawaii Pr, 2012. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0824835948

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Buchbeschreibung 2012. Hardcover. Buchzustand: New. 155mm x 23mm x 231mm. Hardcover. This book deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal Japanese B movie genres.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 178 pages. 0.454. Buchnummer des Verkäufers 9780824835941

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