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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. Exploring the director's extensive back catalogue, including Stranger Than Paradise (1984), Down By Law (1986), Dead Man (1995), and Only Lovers Left Alive (2013), Sara Piazza identifies three acoustic elements that structure the films: music, word, and noise. Piazza's unique reading reveals how Jarmusch created a form of "sound democracy" in film, in which sound is not subordinate to the visual. In his melting-pot method sound and word, high and low culture can co-exist: Schubert and Japanese noise-bands, Marlowe and Betty Boop can be heard side-by-side. Piazza also identifies techniques from pre-sound-era film in Jarmusch's work. Using examples from music, cinema, and literature, Piazza investigates how the director's reputation as an "indie icon" evolved over the course of a thirty-year career. Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. An innovative account of a distinctive and much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director, but also all those interested in film techniques and film-making in general. Buchnummer des Verkäufers

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Inhaltsangabe: Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film? music, words and noise?propel this book?s fascinating journey through his work. Exploring the director?s extensive back catalogue, including Stranger Than Paradise, Down By Law, Dead Man, and Only Lovers Left Alive, Sara Piazza?s unique reading reveals how Jarmusch created a form of ?sound democracy? in film, in which all acoustic layers are capable of infiltrating each other and in which sound is not subordinate to the visual. In his cultural melting pot, hierarchies are irrelevant: Schubert and Japanese noise-bands, Marlowe and Betty Boop, can coexist easily side-by-side. Developing the innovative idea of a ?silent-sound film,? Piazza identifies prefiguring elements from pre-sound-era film in Jarmusch?s work.

Highlighting the importance of Jarmusch?s treatment of sound, Piazza investigates how the director?s distinctive reputation consolidated itself over the course of a thirty-year career. Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. The book uses wide-ranging examples from music, film, literature, and visual art, and features interviews with many prominent figures, including Ennio Morricone, Luc Sante, Roberto Benigni, John Lurie, and Jarmusch himself.

An innovative account of a much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director but all those interested in the connections between sound and film.

Visit the author's page for this book: http://jimjarmusch-musicwordsandnoise.com

Über den Autor: Sara Piazza is an independent writer, radio journalist, documentary film producer, and interpreter based in Berlin. 

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Buchbeschreibung Reaktion Books, 2015. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers GB-9781780234410

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Buchbeschreibung Reaktion Books. Paperback. Buchzustand: new. BRAND NEW, Jim Jarmusch: Music, Words and Noise, Sara Piazza, Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film - music, words and noise - propel this book's fascinating journey through his work. Exploring the director's extensive back catalogue, including Stranger Than Paradise (1984), Down By Law (1986), Dead Man (1995), and Only Lovers Left Alive (2013) Sara Piazza's unique reading reveals how Jarmusch created a form of "sound democracy" in film, in which all acoustic layers are capable of infiltrating each other and in which sound is not subordinate to the visual. In his cultural melting pot, hierarchies are irrelevant: Schubert and Japanese noise-bands, Marlowe and Betty Boop can co-exist easily side-by-side. Developing the innovative idea of a Silent-Sound Film, Piazza identifies prefiguring elements from pre-sound-era film in Jarmusch's work. Highlighting the importance of Jarmusch's treatment of sound, Piazza investigates how the director's distinctive reputation consolidated itself over the course of a thirty-year career.Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. The book uses wide-ranging examples from music, film, literature and visual art, and features interviews with many prominent figures including Ennio Morricone, Luc Sante, Roberto Benigni, John Lurie, and Jarmusch himself.An innovative account of a much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director, but also all those interested in the connections between sound and film. Buchnummer des Verkäufers B9781780234410

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Buchbeschreibung Buchzustand: New. Bookseller Inventory # ST1780234414. Buchnummer des Verkäufers ST1780234414

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Buchbeschreibung Reaktion Books 2015-04-15, 2015. Buchzustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Buchnummer des Verkäufers NU-GRD-05230360

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Buchbeschreibung Reaktion Books 2015-04-15, London, 2015. paperback. Buchzustand: New. Buchnummer des Verkäufers 9781780234410

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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 23208765-n

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Buchbeschreibung Reaktion Books, United Kingdom, 2015. Paperback. Buchzustand: New. 196 x 150 mm. Language: English . Brand New Book. Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film - music, words and noise - propel this book s fascinating journey through his work. Exploring the director s extensive back catalogue, including Stranger Than Paradise (1984), Down By Law (1986), Dead Man (1995), and Only Lovers Left Alive (2013) Sara Piazza s unique reading reveals how Jarmusch created a form of sound democracy in film, in which all acoustic layers are capable of infiltrating each other and in which sound is not subordinate to the visual. In his cultural melting pot, hierarchies are irrelevant: Schubert and Japanese noise-bands, Marlowe and Betty Boop can co-exist easily side-by-side. Developing the innovative idea of a Silent-Sound Film, Piazza identifies prefiguring elements from pre-sound-era film in Jarmusch s work. Highlighting the importance of Jarmusch s treatment of sound, Piazza investigates how the director s distinctive reputation consolidated itself over the course of a thirty-year career.Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. The book uses wide-ranging examples from music, film, literature and visual art, and features interviews with many prominent figures including Ennio Morricone, Luc Sante, Roberto Benigni, John Lurie, and Jarmusch himself.An innovative account of a much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director, but also all those interested in the connections between sound and film. Buchnummer des Verkäufers AA99781780234410

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Sara Piazza
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Buchbeschreibung Reaktion Books, United Kingdom, 2015. Paperback. Buchzustand: New. 196 x 150 mm. Language: English . Brand New Book. Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film - music, words and noise - propel this book s fascinating journey through his work. Exploring the director s extensive back catalogue, including Stranger Than Paradise (1984), Down By Law (1986), Dead Man (1995), and Only Lovers Left Alive (2013) Sara Piazza s unique reading reveals how Jarmusch created a form of sound democracy in film, in which all acoustic layers are capable of infiltrating each other and in which sound is not subordinate to the visual. In his cultural melting pot, hierarchies are irrelevant: Schubert and Japanese noise-bands, Marlowe and Betty Boop can co-exist easily side-by-side. Developing the innovative idea of a Silent-Sound Film, Piazza identifies prefiguring elements from pre-sound-era film in Jarmusch s work. Highlighting the importance of Jarmusch s treatment of sound, Piazza investigates how the director s distinctive reputation consolidated itself over the course of a thirty-year career.Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. The book uses wide-ranging examples from music, film, literature and visual art, and features interviews with many prominent figures including Ennio Morricone, Luc Sante, Roberto Benigni, John Lurie, and Jarmusch himself.An innovative account of a much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director, but also all those interested in the connections between sound and film. Buchnummer des Verkäufers AA99781780234410

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97817802344100000000

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Buchbeschreibung Reaktion Books. PAPERBACK. Buchzustand: Very Good. 1780234414 Crisp, clean, unread book with some shelfwear and a remainder mark to one edge - NICE. Buchnummer des Verkäufers Z1780234414Z2

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