Kesling Modern Structures: Popularizing Modern Design in Southern California 1934-1962

Patrick Pascal; David Gebhard; Julius Shulman

ISBN 10: 189044913X / ISBN 13: 9781890449131

Verlag: Princeton Architectural Press, 2004

Beschreibung

The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials. Bestandsnummer des Verkäufers BVV.189044913X.A

Bibliografische Details

Titel: Kesling Modern Structures: Popularizing ...

Verlag: Princeton Architectural Press

Erscheinungsdatum: 2004

Einband: Softcover

Zustand: acceptable

Über diesen Titel

Inhaltsangabe:

Practically unknown today, William Kesling and his design/build firm, Kesling Modern Structures, played an important role in the development and acceptance of modern architecture in Southern California. For one year, beginning in November 1935, William Kesling was by far Los Angeles's most prolific and successful practitioner of Streamline Moderne design, breaking ground on more than 20 projects. His better-known peers, Schindler, Neutra, and other modernists could not so easily desert the principles of economy and austerity. The unschooled Kesling was not bound by such dogma but nevertheless was driven by the noble goal of bringing high-quality modern design within easy reach of the everyday home-buying public. Today his houses and small-apartment buildings are considered collectors items for Los Angeles's cognoscenti and while many have been ruthlessly remodelled, many others are being carefully restored to their original elegance. This is an exploration of Kesling's work. Kesling was one of Julius Shulman's first clients, and the images in this volume were taken with Shulman's first vest-pocket camera.