Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Reflecting the burgeoning interest in Hispanic women writers, this volume focuses on a group of writers who have only recently been accorded the attention they so richly deserve. The editors organize the essays under four broad thematic headings: Theatrical Self-Consciousness, Politics, History, and Feminist Positions. Though playwrights included range from the recognized-such as Gmbaro (Gambaro) and Garro-to lesser-known yet nonetheless remarkable dramatists-e.g., Serebrisky-the volume would have profited from a broader geographic distribution: each chapter deals with one woman playwright, but 10 of the 15 come from either Mexico or Argentina. The editors concentrate on dramatists writing in the second half of the 20th century: the oldest author discussed was born in 1920, the youngest in 1960. All chapters follow an identical format: an introduction to the playwright. a description of her work in the theater. a more substantive analysis. of at least one specific text. This thoughtfully crafted book with its insightful and informative studies elucidates an overlooked, essential component of the Latin American literary canon. Recommended for courses supporting work at the upper-division undergraduate level and above.F. Colecchia, Duquesne University, Choice, November 1999. Buchnummer des Verkäufers
"The book highlights the many possibilities of the innovative work of these dramatists, and this will, it is to be hoped, help the editors to achieve one of their other key goals: productions of the plays in English." ―Times Literary Supplement
"This thoughtfully crafted book with its insightful and informative studies elucidates an overlooked, essential component of the Latin American literary canon." ―Choice
Contributors discuss 15 works of Latin-American playwrights, delineate the artistic lives of women dramatists of the last half of the twentieth century―from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela―and highlight the problems inherent in writing under politically repressive governments.
About the Author:
Catherine Larson is an Associate professor of Spanish and Adjunct Associate Professor of Women’s Studies at Indiana University in Bloomington. She is the author of Language and the Comedia: Theory and Practice and numerous articles on the theater of Golden Age Spain and twentieth-century Latin America, and she has co-edited Brave New Words: Studies in Spanish Golden Age Literature.
Margarita Vargas is an Associate Professor in the Department of Modern Languages and Literatures at the State University of New York at Buffalo. She is the co-translator of The House on the Beach and co-editor of Women Writing Women: An Anthology of Spanish-American Theater of the 1980s. She has also published critical essays on Mexican literature and Spanish-American theater.
Buchbeschreibung Indiana University Press, 1998. Buchzustand: Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP85525309
Buchbeschreibung Indiana University Press, 1998. Buchzustand: Good. Ships from the UK. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP94859682
Buchbeschreibung Indiana University Press, 1999. Paperback. Buchzustand: Very Good. 1 This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; 9 X 6 X 0.90 inches; 304 pages. Buchnummer des Verkäufers 100114-177-106
Buchbeschreibung Indiana University Press, 1999. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0253212405
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97802532124054.0
Buchbeschreibung Indiana University Press. PAPERBACK. Buchzustand: Fine. 0253212405 *LIKE NEW* Ships Same Day or Next!. Buchnummer des Verkäufers SWATI21FI589847
Buchbeschreibung Indiana University Press. PAPERBACK. Buchzustand: New. 0253212405 *BRAND NEW* Ships Same Day or Next!. Buchnummer des Verkäufers SWATI2122345508
Buchbeschreibung Indiana University Press, Bloomington, IN, 1999. Paperback. Buchzustand: Fine. xxv, 277 pages; 24 cm. Tight, clean copy. CONTENTS: Reenacting politics: the theater of Griselda Gambaro, by Becky Boling; Maruxa Vilata, by Sharon Magnarelli; Playing a waiting game: the theater of Mariela Romero, by Anita K. Stoll; Power plays, plays of power: the theater of Pilar Campesino, by Carla Olson Black; The tortured magic of Hebe Serebrisky, by George Woodyard; Acting radical: the dramaturgy of Consuelo de Castro, by Margo Milleret; The theater of Diana Raznovich and Percepticide in El desconcierto, by Diana Taylor; A moveable space: the problem of Puerto Rico in Myrna Casas's theater, by Vicky Unruh. Sabina Berman's undone threads, by Ronald D. Burgess; Social critique and theatrical power in the plays of Isidora Aguirre, by Adam Versenyi; Carmen Boullosa's obligingly heretic art, by Roselyn Constantino; Leilah Assuncao, by Judith Bisett; For women only?: the theater of Susan Torres Molina, by Jacqueline Eyring Bixler; Masculine space in the plays of Estela Lenero, by Myra S. Gann; Elusive dreams, shattered illusions: the theater of Elena Garro, by Stacy Southerland. Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 082435
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97802532124053.0
Buchbeschreibung Indiana University Press, 1999. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 0253212405