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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers. Buchnummer des Verkäufers

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Inhaltsangabe: This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti's L'elisir d'amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo's pathbreaking study argues that in the "realm of seriousness" of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton.

Rezension: Shed(s) light on some of the possible implications of such works within the larger political context. A refreshingly multifaceted picture of post-Rossinian opera buffa . . . that emerges as complex and tension-imbued as it could be. (Historical accounts need to consider) the lively, anti-defeatist voices and vital operatic tradition (that) Izzo has recovered and delivered to us. MUSIC & LETTERS (Frances Vella) Izzo provides an enlightening, often entertaining corrective to the common notion that the music of the early Romantic period in Italy was exclusively dour, serious, and grim, with exceedingly few new works of brilliant light comedy. At the same time, he provides an informative overview of the nuanced changes in style and structure of the comic genre and of the broader political and social context. --Gabriele Dotto, co-general editor, Le Opere di Gaetano Donizetti

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Izzo, Francesco
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Buchbeschreibung University of Rochester Press. Buchzustand: Like New. Minimal wear to cover. Pages clean and binding tight. Hardcover. Buchnummer des Verkäufers JN4-00443

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Buchbeschreibung University of Rochester Press, 2013. Hardcover. Buchzustand: Like New. Book. Buchnummer des Verkäufers 41-G4YR-UPGA

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Buchbeschreibung Boydell and Brewer, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers FW-9781580462938

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Buchbeschreibung Boydell and Brewer, 2013. HRD. Buchzustand: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Buchnummer des Verkäufers IP-9781580462938

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Buchbeschreibung University of Rochester Press, 2016. Paperback. Buchzustand: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Buchnummer des Verkäufers ria9781580462938_lsuk

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Buchbeschreibung Boydell Brewer Ltd, United States, 2013. Hardback. Buchzustand: New. 236 x 152 mm. Language: English . Brand New Book. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti s L elisir d amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo s pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton. Buchnummer des Verkäufers AAH9781580462938

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Buchbeschreibung Boydell and Brewer, 2013. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IP-9781580462938

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Buchbeschreibung Boydell Brewer Ltd, United States, 2013. Hardback. Buchzustand: New. 236 x 152 mm. Language: English . Brand New Book. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti s L elisir d amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo s pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies.Francesco Izzo is senior lecturer in music at the University of Southampton. Buchnummer des Verkäufers AAH9781580462938

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Francesco Izzo
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Buchbeschreibung University of Rochester Press 2013-12-01, 2013. Hardcover. Buchzustand: New. Buchnummer des Verkäufers NU-ING-28333068

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Buchbeschreibung University of Rochester Press. Hardcover. Buchzustand: New. Hardcover. 318 pages. Dimensions: 9.3in. x 6.0in. x 0.8in.This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizettis Lelisir damore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzos pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Buchnummer des Verkäufers 9781580462938

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