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Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Dürer, and Titian became early modern celebrities.

Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines the challenges confronting artists in this new image economy: What did it mean to be an image maker haunted by one's own image? How did these changes affect the everyday realities of artists and their workshops? And how did images of artists contribute to the way they envisioned themselves as figures in a history that would outlive them?

Richly illustrated, Still Lives is an original exploration of the invention of the artist portrait and a new form of secular stardom.

From the Inside Flap:

"This ambitious and complex book opens up the study of the Italian Renaissance with renewed theoretical and scholarly vigor. Maria Loh paints a vivid portrait of the messy politics of studio culture and the new pictorial economies resulting from the printing press."--Todd Olson, University of California, Berkeley


"With fresh and original interpretations, Maria Loh deepens our understanding of portraiture by considering the physicality of making and the tense relationship between the body and representation."--Jodi Cranston, Boston University


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Loh, Maria H.
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ISBN 10: 0691164967 ISBN 13: 9780691164960
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Buchbeschreibung Princeton University Press. Buchzustand: Good. 2015 - Hardcover - Used - Good - - - - Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!. Buchnummer des Verkäufers NQ-07-6-0104

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Maria H. Loh
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Buchbeschreibung Princeton University Press, 2015. Hard Cover. Buchzustand: Near Fine binding. Zustand des Schutzumschlags: Near Fine dust jacket. A clean First Edition copy with no marks of any kind. The dustjacket is bright; it is now protected with a new mylar cover. Near Fine binding / Near Fine dust jacket. Buchnummer des Verkäufers 277319

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Buchbeschreibung Princeton University Press, 2015. Hardcover. Size: 8.5"x11.25", 303pp., illus in colour. Small "review copy" stamp to top edge, else near new, clean, tight and bright condition / bright and crisp dust jacket. Buchnummer des Verkäufers 202978

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Buchbeschreibung Princeton University Press, 2015. Oversized Hardcover. Buchzustand: Good. Buchnummer des Verkäufers 2579741

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Buchbeschreibung Princeton University Press, Princeton & Oxford, 2016. First Edition. 29 x 21 cm 304 pp with 131 colour and 18 b&w illustrations. Hbk. fine in fine dustwrapper. Buchnummer des Verkäufers 10152

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Buchbeschreibung Princeton University Press. Hardcover. Buchzustand: New. New copy - Usually dispatched within 2 working days. Buchnummer des Verkäufers B9780691164960

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Buchbeschreibung Princeton University Press, United States, 2015. Hardback. Buchzustand: New. Language: English . Brand New Book. Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Durer, and Titian became early modern celebrities. Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines the challenges confronting artists in this new image economy: What did it mean to be an image maker haunted by one s own image? How did these changes affect the everyday realities of artists and their workshops? And how did images of artists contribute to the way they envisioned themselves as figures in a history that would outlive them? Richly illustrated, Still Lives is an original exploration of the invention of the artist portrait and a new form of secular stardom. Buchnummer des Verkäufers AAU9780691164960

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Buchbeschreibung Princeton University Press 2015-02-24, Princeton, 2015. hardback. Buchzustand: New. Buchnummer des Verkäufers 9780691164960

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Buchbeschreibung Princeton University Press, 2015. Buchzustand: New. Num Pages: 328 pages, 131 color illus. 18 halftones. BIC Classification: ACND. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 289 x 217 x 28. Weight in Grams: 1490. . 2015. Hardcover. . . . . . Buchnummer des Verkäufers V9780691164960

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Maria H. Loh
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Buchbeschreibung Princeton University Press, United States, 2015. Hardback. Buchzustand: New. Language: English . Brand New Book. Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Durer, and Titian became early modern celebrities. Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines the challenges confronting artists in this new image economy: What did it mean to be an image maker haunted by one s own image? How did these changes affect the everyday realities of artists and their workshops? And how did images of artists contribute to the way they envisioned themselves as figures in a history that would outlive them? Richly illustrated, Still Lives is an original exploration of the invention of the artist portrait and a new form of secular stardom. Buchnummer des Verkäufers AAU9780691164960

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