Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Hailed as the greatest Venetian painter after Titian, Lorenzo Lotto (1480-1556) is known for a delightfully idiosyncratic artistic vision that has special appeal for 20th-century sensibilities. The authors draw on a large number of original documents, including Lotto's will, letters, and meticulously kept account books. The volume also describes and reproduces many of Lotto's paintings such as SAINT JEROME IN THE WILDERNESS. 80 color and 100 b&w illustrations. Buchnummer des Verkäufers
Inhaltsangabe: Hailed as the greatest Venetian painter after Titian, Lorenzo Lotto (c. 1480-1556) is known for a delightfully idiosyncratic artistic vision that has had special appeal for twentieth-century sensibilities. This book which discusses Lotto’s life and work explores the way his formal and iconographic experiments set him apart from the mainstream culture of his time.
The volume describes and reproduces paintings in most of the genres in which Lotto worked, including devotional paintings, altarpieces, portraits, and mythologies. These are arranged in chronological order from his beginnings as a pupil of Giovanni Bellini through the brilliant work of his maturity on which his reputation was based, to the end of his career in a religious community on the Adriatic coast. Focusing on his autograph paintings, the book presents such masterpieces as Saint Jerome in the Wilderness and Portrait of Andrea Odoni. The authors David Alan Brown, Peter Humfrey, Mauro Lucco, and other eminent scholars draw on a large number of original documents, including Lotto’s will, his letters to a confraternity in Bergamo, and his meticulously kept account books. They discuss not only Lotto’s biography and inspiration but also his mastery of allegory, his possible sympathy with the Protestant Reformation, the patrons of his altarpieces, and the so-called Lotto carpets.
This beautiful book is the catalogue for an exhibition at the National Gallery of Art, Washington, d.c., that will run from 2 November 1997 to 1 March 1998.
Published in association with the National Gallery of Art, Washington
About the Author: David Alan Brown is curator of Italian Renaissance painting at the National Gallery of Art, Washington, D.C. Peter Humfrey is professor of art history at St. Andrew’s University. Mauro Lucco is professor of art history at the Università di Bologna.
Buchbeschreibung National Gallery Washington, 1997. Buchzustand: VERY GOOD. little to no wear, pages are clean. The cover and binding are crisp with next no creases. Buchnummer des Verkäufers 2784362585
Buchbeschreibung National Gallery Washington, 1997. Hardcover. Buchzustand: Good. Ex-library copy with usual markings. In brodart. Buchnummer des Verkäufers mon0001285866
Buchbeschreibung National Gallery of Art, Washington, 1997. Oblong quarto; VG/VG; green spine, white text; jacket has general shelfwear; boards are strong; textblock has light age toning to exterior, otherwise clean; pp 237; Renaissance Art. Rockville. Buchnummer des Verkäufers 7-13-1272933
Buchbeschreibung National Gallery Washington, 1997. Hardcover. Buchzustand: Used: Very Good. Hardcover and dust jacket. Wear and tear to jacket. Good binding and cover. Clean, unmarked pages. Ships daily. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. Buchnummer des Verkäufers 81249012
Buchbeschreibung National Gallery Washington, 1997. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0300073313
Buchbeschreibung National Gallery of Art, Washington 1997, 1997. Hardcover. 235pp Very good condition. Very good dust jacket., one tiny closed tear. ISBN: 0300073313. Buchnummer des Verkäufers E1109898
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97803000733174.0
Buchbeschreibung National Gallery Washington 1997-11-13, 1997. Hardcover. Buchzustand: Fair. 0300073313 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Buchnummer des Verkäufers POTM-0300073313
Buchbeschreibung National Gallery of Art / Yale University Press, Washington DC / New Haven, 1997. Hardcover. Buchzustand: Near Fine. Zustand des Schutzumschlags: very good +. First printing. First edition, 1997. Quarto, cloth hardcover in dust jacket, 237 pp., heavily illustrated (much in color), clean unmarked text, Near Fine copy in Very Good+ dust jacket, creasing and tearing to the edges of the dust jacket. Dust jacket housed in archival dust jacket protector. Buchnummer des Verkäufers s00014027
Buchbeschreibung National Gallery of Art, Washington, 1997. Hardcover in jacket, Near fine in dhrinkwrap (dlight creaase to jacket flap. Illustrated. Buchnummer des Verkäufers 018087