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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Many assume that modern works of art are easily preserved; that their whereabouts can be readily established, thanks to sophisticated documentation systems; and that, in general, they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways, including war, theft, natural catastrophe, and carelessness. Most significantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well-known figures. Grouped into 10 sections--Discarded, Missing, Rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealized, and Stolen--this unique book surveys 40 case studies, looking at the stories behind lost works of art by artists such as Kandinsky, Mir, Kahlo, Christo, Keith Haring, and including Michael Landy's 2001 project Break Down , in which he systematically destroyed every one of his possessions himself. Buchnummer des Verkäufers

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Inhaltsangabe: Many assume that modern works of art are easily preserved; that their whereabouts can be readily established, thanks to sophisticated documentation sys­tems; and that, in general, they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways, including war, theft, natural catastrophe, and carelessness. Most signifi­cantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well-known figures. Grouped into 10 sections Discarded, Missing, Rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealized, and Stolen this unique book surveys 40 case studies, looking at the stories behind lost works of art by artists such as Kandinsky, Miró, Kahlo, Christo, Keith Haring, and including Michael Landy’s 2001 project Break Down, in which he systematically destroyed every one of his possessions himself.

About the Author:   Jennifer Mundy is head of collection research at Tate.
 

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Jennifer Mundy
Verlag: Tate Publishing (2013)
ISBN 10: 184976140X ISBN 13: 9781849761406
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Buchbeschreibung Tate Publishing, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers GB-9781849761406

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Buchbeschreibung Tate, 2014. Hardcover. Buchzustand: Very Good. Publisher overstock or return with minor shelfwear. May have remainder mark. Leaves our warehouse same or next business day. Most continental U.S. orders lead time 4-10 days. International - most countries 10-21 days, others 4 weeks. Buchnummer des Verkäufers mon0000839011

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Buchbeschreibung Buchzustand: New. Bookseller Inventory # ST184976140X. Buchnummer des Verkäufers ST184976140X

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Buchbeschreibung Tate Publishing. Hardback. Buchzustand: new. BRAND NEW, Lost Art, Jennifer Mundy, In a world where we can find information, images, documentation, opinions on almost anything, we assume that modern works of art are easily preserved; that their whereabouts can be readily established thanks to sophisticated documentation systems; and that in general they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways including war, theft, natural catastrophe and carelessness. Most significantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well known figures. Grouped into ten sections - Discarded, Missing, Rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealised and Stolen - this unique survey includes forty case studies looking at the stories behind lost works of art, ranging from the shunning of Epstein's British Medical Association sculptures in 1908, to Michael Landy's 2001 project Break Down, where he systematically destroyed every one of his possessions. With work by Marcel Duchamp, Wassily Kandinsky, Frida Kahlo, Joseph Beuys, John Baldessari, Rachel Whiteread and Lucian Freud, this is a lively look at a often little considered aspect of contemporary art. Buchnummer des Verkäufers B9781849761406

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Buchbeschreibung Buchzustand: very good. 798 Gramm. Buchnummer des Verkäufers M0184976140X-V

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Buchbeschreibung Hachette Book Group. Buchzustand: New. Brand New. Buchnummer des Verkäufers 184976140X

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Jennifer Mundy
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Buchbeschreibung TATE PUBLISHING, United Kingdom, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. In a world where we can find information, images, documentation, opinions on almost anything, we assume that modern works of art are easily preserved; that their whereabouts can be readily established thanks to sophisticated documentation systems; and that in general they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways including war, theft, natural catastrophe and carelessness. Most significantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well known figures. Grouped into ten sections - Discarded, Missing, Rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealised and Stolen - this unique survey includes forty case studies looking at the stories behind lost works of art, ranging from the shunning of Epstein s British Medical Association sculptures in 1908, to Michael Landy s 2001 project Break Down, where he systematically destroyed every one of his possessions. With work by Marcel Duchamp, Wassily Kandinsky, Frida Kahlo, Joseph Beuys, John Baldessari, Rachel Whiteread and Lucian Freud, this is a lively look at a often little considered aspect of contemporary art. Buchnummer des Verkäufers AAZ9781849761406

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Jennifer Mundy
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Buchbeschreibung TATE PUBLISHING, United Kingdom, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. In a world where we can find information, images, documentation, opinions on almost anything, we assume that modern works of art are easily preserved; that their whereabouts can be readily established thanks to sophisticated documentation systems; and that in general they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways including war, theft, natural catastrophe and carelessness. Most significantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well known figures. Grouped into ten sections - Discarded, Missing, Rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealised and Stolen - this unique survey includes forty case studies looking at the stories behind lost works of art, ranging from the shunning of Epstein s British Medical Association sculptures in 1908, to Michael Landy s 2001 project Break Down, where he systematically destroyed every one of his possessions. With work by Marcel Duchamp, Wassily Kandinsky, Frida Kahlo, Joseph Beuys, John Baldessari, Rachel Whiteread and Lucian Freud, this is a lively look at a often little considered aspect of contemporary art. Buchnummer des Verkäufers AAZ9781849761406

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Buchbeschreibung Tate Publishing, 2013. Buchzustand: New. Buchnummer des Verkäufers GH9781849761406

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Buchbeschreibung Tate Publishing, 2014. Buchzustand: New. 2014. Hardcover. Damaged, attacked, rejected, destroyed, transient . there are many ways that art can become lost. Based on the award winning website, The Gallery of Lost Art. Num Pages: 288 pages, 70 colour. BIC Classification: ABC; ABK. Category: (G) General (US: Trade). Dimension: 241 x 158 x 28. Weight in Grams: 816. . . . . . . Buchnummer des Verkäufers V9781849761406

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