Love and Money: Queers, Class, and Cultural Production (Critical Cultural Communication)

Henderson, Lisa

Verlag: NYU Press, 2013
ISBN 10: 0814790577 / ISBN 13: 9780814790571
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Inhaltsangabe: Love and Money argues that we can?t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.   Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace?rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don?t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison?s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?   With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

Über den Autor: Lisa Henderson is Professor of Communication at the University of Massachusetts Amherst.

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Titel: Love and Money: Queers, Class, and Cultural ...
Verlag: NYU Press
Erscheinungsdatum: 2013
Zustand: very good

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Henderson, Lisa
Verlag: New York University Press
ISBN 10: 0814790577 ISBN 13: 9780814790571
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Buchbeschreibung New York University Press. Buchzustand: Very Good. Buchnummer des Verkäufers 42784662

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Lisa Helen Henderson
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Buchbeschreibung New York University Press. Hardback. Buchzustand: new. BRAND NEW, Love and Money: Queers, Class, and Cultural Production, Lisa Helen Henderson, Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace - rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life. Buchnummer des Verkäufers B9780814790571

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Buchbeschreibung New York University Press 2013-01-26, New York, 2013. hardback. Buchzustand: New. Buchnummer des Verkäufers 9780814790571

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Buchbeschreibung New York University Press, United States, 2013. Hardback. Buchzustand: New. 229 x 155 mm. Language: English . Brand New Book. Love and Money argues that we can t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace-rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life. Buchnummer des Verkäufers AAU9780814790571

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Buchbeschreibung New York University Press, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers BB-9780814790571

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Buchbeschreibung NYU Press, 2013. Buchzustand: New. Argues that we can't understand contemporary queer cultures without looking through the lens of social class Series: Critical Cultural Communication. Num Pages: 224 pages, 30 halftones. BIC Classification: JFSC; JFSK. Category: (P) Professional & Vocational. Dimension: 231 x 155 x 20. Weight in Grams: 454. . 2013. Hardcover. . . . . Buchnummer des Verkäufers V9780814790571

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Buchbeschreibung New York University Press, United States, 2013. Hardback. Buchzustand: New. 229 x 155 mm. Language: English . Brand New Book. Love and Money argues that we can t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace-rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life. Buchnummer des Verkäufers AAU9780814790571

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Buchbeschreibung NYU Press. Buchzustand: New. Argues that we can't understand contemporary queer cultures without looking through the lens of social class Series: Critical Cultural Communication. Num Pages: 224 pages, 30 halftones. BIC Classification: JFSC; JFSK. Category: (P) Professional & Vocational. Dimension: 231 x 155 x 20. Weight in Grams: 454. . 2013. Hardcover. . . . . Buchnummer des Verkäufers V9780814790571

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808147905710000000

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