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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. Making the story available for the first time in English, Cynthia Ruder reconstructs the Canal project as a pivotal social, political, historical, and, most important, literary event.Built with forced labor, the Belomor project has been a forbidden topic for half a century. With access to recently opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works -- drama, poetry, novels, and the collectively written History of the Construction of the Stalin White Sea-Baltic Canal -- to create an unusually broad understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of perekovka, the idea that a new people who personify the Soviet Union in action and deed could be created through forced labor and ideological reeducation.As both a construction project and a literary event, Belomor was characterized by coritradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it. Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia. Buchnummer des Verkäufers

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"A fascinating work. . . . Given the growing interest in the Stalin period among historians and literary scholars, this work is truly cutting-edge."--Catharine T. Nepomnyaschy, Barnard College

The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. Making the story available for the first time in English, Cynthia Ruder reconstructs the Canal project as a pivotal social, political, historical, and, most important, literary event.

 Built with forced labor, the Belomor project has been a forbidden topic for half a century. With access to recently opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works--drama, poetry, novels, and the collectively written History of the Construction of the Stalin White Sea-Baltic Canal--to create an unusually broad understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of perekovka, the idea that a new people who personify the Soviet Union in action and deed could be created through forced labor and ideological reeducation.

 As both a construction project and a literary event, Belomor was characterized by contradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it. Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia.

Cynthia A. Ruder is a lecturer in Russian at Bryn Mawr College. She has published work in Russian Literature and American Approaches to Russian Language Pedagogy.

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Ruder, Cynthia A.
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Buchbeschreibung University Press of Florida. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2397408

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Buchbeschreibung Buchzustand: Good. Making History for Stalin: The Story of the Belomor Canal. Buchnummer des Verkäufers Grb1006778

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Buchbeschreibung University Press of Florida, 1998. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CE-9780813015675

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Buchbeschreibung University Press of Florida, United States, 1998. Hardback. Buchzustand: New. New.. 231 x 150 mm. Language: English . Brand New Book. The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. The author reconstructs the Canal project as a pivotal social, political, historical and, most important, literary event. Built with forced labour, the Belomor project has been a forbidden topic for half a century. With access to opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works - drama, poetry, novels and the collectively written History of the Construction of the Stalin White Sea-Baltic Canal - to create an understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of perekovka , the idea that a new people who personify the Soviet Union in action and deed could be created through forced labour and ideological re-education. As both a construction project and a literary event, Belomor was characterized by contradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it.Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia. Buchnummer des Verkäufers AAN9780813015675

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Buchbeschreibung University Press of Florida, 1998. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0813015677

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Buchbeschreibung University Press of Florida, United States, 1998. Hardback. Buchzustand: New. New.. 231 x 150 mm. Language: English . Brand New Book. The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. The author reconstructs the Canal project as a pivotal social, political, historical and, most important, literary event. Built with forced labour, the Belomor project has been a forbidden topic for half a century. With access to opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works - drama, poetry, novels and the collectively written History of the Construction of the Stalin White Sea-Baltic Canal - to create an understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of perekovka , the idea that a new people who personify the Soviet Union in action and deed could be created through forced labour and ideological re-education. As both a construction project and a literary event, Belomor was characterized by contradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it.Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia. Buchnummer des Verkäufers AAN9780813015675

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Buchbeschreibung University Press of Florida, 1998. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0813015677

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Buchbeschreibung University Press of Florida. Hardback. Buchzustand: new. BRAND NEW, Making History for Stalin: Story of the Belomor Canal, Cynthia A. Ruder, The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. The author reconstructs the Canal project as a pivotal social, political, historical and, most important, literary event. Built with forced labour, the Belomor project has been a forbidden topic for half a century. With access to opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works - drama, poetry, novels and the collectively written "History of the Construction of the Stalin White Sea-Baltic Canal" - to create an understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of "perekovka", the idea that a new people who personify the Soviet Union in action and deed could be created through forced labour and ideological re-education. As both a construction project and a literary event, Belomor was characterized by contradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it. Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia. Buchnummer des Verkäufers B9780813015675

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808130156750000000

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Cynthia Ann Ruder
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Buchbeschreibung Univ Pr of Florida, 1998. Hardcover. Buchzustand: Brand New. first edition. 248 pages. 9.50x6.50x1.00 inches. In Stock. Buchnummer des Verkäufers __0813015677

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