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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "This collection represents a decade of writing by a uniquely brilliant critic who combines intense sensitivity to textual nuance with extraordinary theoretical agility. Complex and sophisticated, these essays brim with thrills, gags, twists, and flashes. And Shakespeare's texts never quite read the same again."--Margreta de Grazia, University of Pennsylvania. Buchnummer des Verkäufers

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Inhaltsangabe: This collection of essays includes some of the most recent work of a master critic at the height of his powers. Of the fourteen essays, written from the late 1970's to the present, three have never before been published; the essays' appearance in a single volume makes available for the first time the full scope of Berger's unique approach to ethical discourses in Shakespeare's plays. The sequence of essays displays both the continuity and the revisionary development that mark his critical practice since the early work on The Tempest, Troilus and Cressida, and the Elizabethan theater.
When one compares Berger's earlier work from the 1960's with the writing from the 1980's and 1990's in the present collection, one sees that the difference stems primarily from the impact on the later work of his encounters with the whole range of structuralist and poststructuralist theory. Much of the excitement and vitality of Berger's current work comes from his efforts to incorporate new methodological influences into his previous system. Because he comes to poststructuralism as a mature critic whose larger interpretive framework is already in place, his response is not simply to immerse himself in the new theoretical modes and adopt them wholesale, but rather to make them his own.
Among the plays discussed are The Merchant of Venice, Much Ado About Nothing, King Lear, Macbeth, 2 Henry IV, Richard II―and, in two of the new essays, 1 Henry IV and Measure for Measure. Also new is Berger's retrospective account of his critical development in the extensive opening "Acknowledgments."

From the Back Cover: “This collection represents a decade of writing by a uniquely brilliant critic who combines intense sensitivity to textual nuance with extraordinary theoretical agility. Complex and sophisticated, these essays brim with thrills, gags, twists, and flashes. And Shakespeare's texts never quite read the same again.”—Margreta de Grazia, University of Pennsylvania.

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Berger, Harry
Verlag: Stanford University Press (1997)
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Buchbeschreibung Stanford University Press, 1997. PAP. Buchzustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IQ-9780804728522

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Berger, Harry
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Buchbeschreibung Stanford University Press 2/1/1997, 1997. Paperback or Softback. Buchzustand: New. Making Trifles of Terrors: Redistributing Complicities in Shakespeare. Book. Buchnummer des Verkäufers BBS-9780804728522

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Berger Jr., Harry
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Buchbeschreibung Stanford University Press, 2017. Paperback. Buchzustand: New. Never used! This item is printed on demand. Buchnummer des Verkäufers 0804728526

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Harry Berger
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Buchbeschreibung Stanford University Press, United States, 1997. Paperback. Buchzustand: New. Language: English . Brand New Book ***** Print on Demand *****.This collection of essays includes some of the most recent work of a master critic at the height of his powers. Of the fourteen essays, written from the late 1970 s to the present, three have never before been published; the essays appearance in a single volume makes available for the first time the full scope of Berger s unique approach to ethical discourses in Shakespeare s plays. The sequence of essays displays both the continuity and the revisionary development that mark his critical practice since the early work on The Tempest, Troilus and Cressida, and the Elizabethan theater. When one compares Berger s earlier work from the 1960 s with the writing from the 1980 s and 1990 s in the present collection, one sees that the difference stems primarily from the impact on the later work of his encounters with the whole range of structuralist and poststructuralist theory. Much of the excitement and vitality of Berger s current work comes from his efforts to incorporate new methodological influences into his previous system. Because he comes to poststructuralism as a mature critic whose larger interpretive framework is already in place, his response is not simply to immerse himself in the new theoretical modes and adopt them wholesale, but rather to make them his own. Among the plays discussed are The Merchant of Venice, Much Ado About Nothing, King Lear, Macbeth, 2 Henry IV, Richard II-and, in two of the new essays, 1 Henry IV and Measure for Measure. Also new is Berger s retrospective account of his critical development in the extensive opening Acknowledgments. Buchnummer des Verkäufers APC9780804728522

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Berger Jr., Harry
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Buchbeschreibung Stanford University Press. PAPERBACK. Buchzustand: New. 0804728526 BRAND NEW! NOT DIRTY OVERSTOCKS OR MARKED UP REMAINDERS!. Buchnummer des Verkäufers OTF-S-9780804728522

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Berger, Harry
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Buchbeschreibung 1997. PAP. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers TX-9780804728522

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Harry Berger
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Buchbeschreibung Stanford University Press, United States, 1997. Paperback. Buchzustand: New. Language: English . Brand New Book ***** Print on Demand *****. This collection of essays includes some of the most recent work of a master critic at the height of his powers. Of the fourteen essays, written from the late 1970 s to the present, three have never before been published; the essays appearance in a single volume makes available for the first time the full scope of Berger s unique approach to ethical discourses in Shakespeare s plays. The sequence of essays displays both the continuity and the revisionary development that mark his critical practice since the early work on The Tempest, Troilus and Cressida, and the Elizabethan theater. When one compares Berger s earlier work from the 1960 s with the writing from the 1980 s and 1990 s in the present collection, one sees that the difference stems primarily from the impact on the later work of his encounters with the whole range of structuralist and poststructuralist theory. Much of the excitement and vitality of Berger s current work comes from his efforts to incorporate new methodological influences into his previous system. Because he comes to poststructuralism as a mature critic whose larger interpretive framework is already in place, his response is not simply to immerse himself in the new theoretical modes and adopt them wholesale, but rather to make them his own. Among the plays discussed are The Merchant of Venice, Much Ado About Nothing, King Lear, Macbeth, 2 Henry IV, Richard II-and, in two of the new essays, 1 Henry IV and Measure for Measure. Also new is Berger s retrospective account of his critical development in the extensive opening Acknowledgments. Buchnummer des Verkäufers APC9780804728522

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Berger Jr., Harry
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Buchbeschreibung Stanford University Press, 1997. Paperback. Buchzustand: New. Buchnummer des Verkäufers INGM9780804728522

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Berger, Harry, Jr.
Verlag: Stanford University Press (2016)
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Buchbeschreibung Stanford University Press, 2016. Paperback. Buchzustand: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Buchnummer des Verkäufers ria9780804728522_lsuk

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Harry Berger Jr.
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Buchbeschreibung Stanford University Press. Paperback. Buchzustand: New. Paperback. 528 pages. Dimensions: 9.0in. x 6.1in. x 1.3in.This collection of essays includes some of the most recent work of a master critic at the height of his powers. Of the fourteen essays, written from the late 1970s to the present, three have never before been published; the essays appearance in a single volume makes available for the first time the full scope of Bergers unique approach to ethical discourses in Shakespeares plays. The sequence of essays displays both the continuity and the revisionary development that mark his critical practice since the early work on The Tempest, Troilus and Cressida, and the Elizabethan theater. When one compares Bergers earlier work from the 1960s with the writing from the 1980s and 1990s in the present collection, one sees that the difference stems primarily from the impact on the later work of his encounters with the whole range of structuralist and poststructuralist theory. Much of the excitement and vitality of Bergers current work comes from his efforts to incorporate new methodological influences into his previous system. Because he comes to poststructuralism as a mature critic whose larger interpretive framework is already in place, his response is not simply to immerse himself in the new theoretical modes and adopt them wholesale, but rather to make them his own. Among the plays discussed are The Merchant of Venice, Much Ado About Nothing, King Lear, Macbeth, 2 Henry IV, Richard IIand, in two of the new essays, 1 Henry IV and Measure for Measure. Also new is Bergers retrospective account of his critical development in the extensive opening Acknowledgments. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Buchnummer des Verkäufers 9780804728522

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