Marvel Masterworks: Vision And The Scarlet Witch Vol. 1

Vision and Scarlet Witch, one of the most iconic love stories in comics, gets the Marvel Masterworks treatment, including never-before-reprinted material!

The Marvel Masterworks are proud to present a massive volume collecting the adventures of the Avengers icons — Vision and the Scarlet Witch. We’re including not just the massive 1985 maxiseries that went on to inspire WandaVision, but also rare never-before-reprinted stories that chronicle the couples’ search for acceptance. With rich storytelling and vibrant artwork, these stories explore themes of love, duty and identity, showcasing the enduring bond between two iconic characters. The Vision’s origins are explored, while the Scarlet Witch expands her powers in new and sometimes shocking ways. Wanda’s brother Quicksilver’s prejudice risks splitting their family apart. Will his choices set him on a dark path? And with Wanda’s mystic pregnancy nearing term what will Magneto’s return mean for the mother-to-be?

COLLECTING: VISION AND THE SCARLET WITCH (1985) #1-12, WEST COAST AVENGERS (1985) #2 and material from MARVEL FANFARE (1982) #6, #14, #32, #48, #58, MARVEL SUPER-HEROES (1990) #10, SOLO AVENGERS (1987) #5 and WHAT THE--?! (1988) #3

Steve Englehart’s history-making contributions to the Marvel Universe began with the Beast’s solo feature in Amazing Adventures, in which the eloquent X-Man first assumed furry form. As Avengers writer, he masterminded such major events as “The Avengers/Defenders War” (in both teams’ titles) and “The Celestial Madonna Saga.” In Captain America, he identified and solved the “mystery” of the 1950s Captain America (later revived by Ed Brubaker), and gave the true Cap the alternate identity of Nomad. Englehart’s Dr. Strange storyline in Marvel Premiere established the character as Sorcerer Supreme and covered the creation of the universe itself. At DC, he helped revamp Batman, Green Lantern, Superman and other major heroes for the 1970s. Back at Marvel, he wrote the first few years of West Coast Avengers and Silver Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The Point Man and, with wife Terry Beach, books in the DNAgers young-adult series. Englehart has also written TV episodes and designed video games.

Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also launched Cloak and Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom: Spaceknight, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.

Richard Howell began his Marvel work on such tie-ins as Dark Crystal and The Further Adventures of Indiana Jones. He collaborated with Steve Englehart on the 12-issue Vision and the Scarlet Witch miniseries. At DC, he drew wartime stories for All-Star Squadron and Blackhawk. With Tony Isabella, he co-created the Shadow War of Hawkman miniseries, which extended into the Winged Wonder’s 1986 monthly. At Claypool Comics, he provided art for and co-plotted with Peter David the fan-favorite Soulsearchers and Company, wrote and penciled Deadbeats and served as colorist and editor on various titles.

Al Milgrom, A.K.A. “Editori-Al,” is renowned as writer, editor, penciler and inker — and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.

Three different incarnations of Cloak and Dagger were only a few of Rick Leonardi’s artistic achievements for Marvel. His other credits include Uncanny X-Men, New Mutants and Spider-Man 2099. At DC, he drew Batman family titles Batgirl and Nightwing, as well as comic/film crossover Green Lantern vs. Aliens. At Event Comics, he penciled Painkiller Jane.