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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor. Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 ttes (1929), Rve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bont (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana. Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking. Buchnummer des Verkäufers

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Inhaltsangabe: Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor.
Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 têtes (1929), Rêve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonté (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana.
Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking.

About the Author:
About the Authors:
Robert Rainwater is Assistant Director for Art, Prints, and Photographs, and Curator of the Spencer Collection at The New York Public Library. Anne Hyde Greet is Professor French at the University of California, Santa Barbara. Evan Maurer is Director of the University of Michigan Museum of Art, Ann Arbor.

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Ernst, Max;Maurer, Evan M.;New York Public Library;Rainwater, Robert;University of Michigan;Greet, Anne Hyde
Verlag: Oxford University Press, USA (1992)
ISBN 10: 019504990X ISBN 13: 9780195049909
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Buchbeschreibung Oxford University Press, USA, 1992. Soft Cover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. Colour & b/w Illustrations (illustrator). Large format paperback Catalogue of the exhibition held at the New York Public Library, New York, A little bump to top corner. Oct. 11-Dec. 31, 1986, and at the University of Michigan Museum of Art, Ann Arbor, Feb. 13-Mar. 29, 1987. Good+. Firm binding, with one spine crease. Previous owner's signature/front free endpaper & gift inscription from one of the authors on the half-title page, otherwise unmarked. CONTENTS: Max Ernst, Printmaker, by Robert Rainwater; Images of Dream and Desire, by Evan M. Maurer; Max Ernst and the Artist's Book, by Anne Hyde Greet; Max Ernst, A Checklist of Books and Prints, 1910-1975. Exhibition Catalogue. 192 pages clean and tight. Size: 4to. Buchnummer des Verkäufers 131387

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Robert Rainwater (editor)
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Buchbeschreibung Oxford University Press, London, 1986. Soft cover. Buchzustand: Fine. 1st Edition. Fine, uninscribed. No tears or creases, slight fading to spine. 208 pages. Buchnummer des Verkäufers 1333

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Artist) Max Ernst, Robert Rainwater
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Buchbeschreibung Oxford University Press / NYPL, 1986. Oversized Paper Back. Buchzustand: Good. Buchnummer des Verkäufers 803694

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Ernst, Max
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Buchbeschreibung Oxford University Press. PAPERBACK. Buchzustand: Very Good. 019504990X 1986 Oxford University Press hard cover - 1st edition - slight tear to dust jacket - slight staining to page edge - otherwise a fine strong tight quality copy. Buchnummer des Verkäufers 0221T948838

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Ernst, Max
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Buchbeschreibung Oxford University Press. PAPERBACK. Buchzustand: Very Good. 019504990X light shelfwear, NICE!. Buchnummer des Verkäufers Z019504990XZ2

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Buchbeschreibung Buchzustand: Used; Very Good. Buchnummer des Verkäufers FR29928

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Max Ernst
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Buchbeschreibung Oxford University Press, USA, 1986. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG019504990X

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Rainwater, Robert
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Buchbeschreibung Oxford University Press, 1992. Soft cover. Buchzustand: Very Good. No Jacket. Illustrated Edition. 1992 Oxford Paperback Edition. Very Good+ clean tight binding with fabulous cover design & illustrations. Buchnummer des Verkäufers ABE-5137854269

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9.

Ernst, Max; Maurer, Evan M.; New York Public Library; Rainwater, Robert; University of Michigan; Greet, Anne Hyde
Verlag: New York Public Library, New Canaan, Connecticut, U.S.A. (1986)
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Buchbeschreibung New York Public Library, New Canaan, Connecticut, U.S.A., 1986. Buchzustand: Near Fine. First Softcover Edition. First Softcover Edition. NF. Softcover, pictorial stiff wraps, 192 pp, color and b&w illustrations, quarto, light edgewear, else a clean and crisp copy. Buchnummer des Verkäufers 106566

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Max Ernst
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Buchbeschreibung Oxford University Press, 1986. Buchzustand: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Buchnummer des Verkäufers 019504990X-2-4

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