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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor. Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 ttes (1929), Rve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bont (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana. Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking. Buchnummer des Verkäufers

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Inhaltsangabe: Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor.
Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 têtes (1929), Rêve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonté (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana.
Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking.

Über den Autor:
About the Authors:
Robert Rainwater is Assistant Director for Art, Prints, and Photographs, and Curator of the Spencer Collection at The New York Public Library. Anne Hyde Greet is Professor French at the University of California, Santa Barbara. Evan Maurer is Director of the University of Michigan Museum of Art, Ann Arbor.

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Ernst, Max
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ISBN 10: 019504990X ISBN 13: 9780195049909
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Buchbeschreibung Oxford University Press. PAPERBACK. Buchzustand: Very Good. 019504990X Very Good with clean cover with minor shelf-wear or tearing on edges and corners. Free of highlighting and note-taking. Pages are crisp, clean and lay flat. Item is in stock and ready to ship same or next business day. Select Expedited shipping and receive your book within 3-5 business days. Buy with confidence! Please leave feedback after your purchase. It helps other buyers know we are a responsible and reliable seller. Thank you!. Buchnummer des Verkäufers BK00008116

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Buchbeschreibung Oxford University Press Inc, 1987. Paperback. Buchzustand: Good. Sent within 24 hours. Expedited UK delivery available. Buchnummer des Verkäufers BBI2276629

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Ernst, Max; Rainwater, Robert (Edited by)
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Buchbeschreibung New York Public Library; Oxford University Press, New York and Oxford, 1986. Paperback. Buchzustand: Good. xvi, 192 pp., illus. (some col.), ports., biblio.; 28 cm. Catalogue of the exhibition held at the New York Public Library, New York, October 11 to December 31, 1986, and at the University of Michigan Museum of Art, Ann Arbor, February 13 to March 29, 1987. Good+. Firm binding, with one spine crease. Previous owner's signature/front free endpaper & gift inscription from one of the authors on the half-title page, otherwise unmarked. CONTENTS: Max Ernst, Printmaker, by Robert Rainwater; Images of Dream and Desire, by Evan M. Maurer; Max Ernst and the Artist's Book, by Anne Hyde Greet; Max Ernst, A Checklist of Books and Prints, 1910-1975. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Buchnummer des Verkäufers 040949

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Rainwater, Robert; Editor
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Buchbeschreibung New York Public Library, New York, 1986. Soft Cover. Buchzustand: Good. Mild wear to cover with tiny bump at top edge. Cover and interior otherwise clean. Binding sound. 192 pgs. Size: 4to - over 9¾" - 12" tall. Buchnummer des Verkäufers 002329

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Ernst, Max;Maurer, Evan M.;New York Public Library;Rainwater, Robert;University of Michigan;Greet, Anne Hyde
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Buchbeschreibung Oxford University Press, USA, 1992. Soft Cover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. Colour & b/w Illustrations (illustrator). Large format paperback Catalogue of the exhibition held at the New York Public Library, New York, A little bump to top corner. Oct. 11-Dec. 31, 1986, and at the University of Michigan Museum of Art, Ann Arbor, Feb. 13-Mar. 29, 1987. Good+. Firm binding, with one spine crease. Previous owner's signature/front free endpaper & gift inscription from one of the authors on the half-title page, otherwise unmarked. CONTENTS: Max Ernst, Printmaker, by Robert Rainwater; Images of Dream and Desire, by Evan M. Maurer; Max Ernst and the Artist's Book, by Anne Hyde Greet; Max Ernst, A Checklist of Books and Prints, 1910-1975. Exhibition Catalogue. 192 pages clean and tight. Size: 4to. Buchnummer des Verkäufers 131387

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Robert Rainwater (editor)
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Buchbeschreibung Oxford University Press, London, 1986. Soft cover. Buchzustand: Fine. 1st Edition. Fine, uninscribed. No tears or creases, slight fading to spine. 208 pages. Buchnummer des Verkäufers 1333

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Max Ernst
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Buchbeschreibung Oxford University Press, USA, 1986. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG019504990X

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Artist) Max Ernst, Robert Rainwater
Verlag: Oxford University Press / NYPL (1986)
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Buchbeschreibung Oxford University Press / NYPL, 1986. Oversized Paper Back. Buchzustand: Good. Buchnummer des Verkäufers 803694

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Ernst, Max
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Buchbeschreibung Oxford University Press. PAPERBACK. Buchzustand: Very Good. 019504990X 1986 Oxford University Press hard cover - 1st edition - slight tear to dust jacket - slight staining to page edge - otherwise a fine strong tight quality copy. Buchnummer des Verkäufers 0221T948838

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Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97801950499094.0

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