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Henry James rebelled intuitively against the tyranny and banality of plots. Believing a life to have many potential paths and a self to hold many destinies, he hung the evocative shadow of "what might have been" over much of what he wrote. Yet James also realized that no life can be lived--and no story written--except by submission to some outcome. The limiting conventions of society and literature are, he found, almost inescapable. In a major, comprehensive new study of James's work, Millicent Bell explores this oscillation between hope and fatalism, indeterminacy and form, and uncertainty and meaning. In the process Bell provides fresh insight into how we read and interpret fiction.
Bell demonstrates how James's texts steadfastly, almost perversely at times, preserve a sense of alternative possibilities. James involves his characters in overlapping scenarios drawn from folklore, drama, literature, or naturalist formula. The reader engages, with the hero or heroine, in imagining many plots other than the one that finally-and often ambiguously--emerges. The story arouses expectations, proposes courses, then cancels them successively. In complicity with author and character, the reader crafts the story in an adventure of constant revision and anticipation. Literary meaning becomes an experience as well as a goal. In the end, revelations and resolutions, even if unclear or partial, assume an altered significance in light of the earlier imaginings.
Not surprisingly, James's deepest sympathies lay with those characters who resisted entrapment by cultural expectations--his idealistic free spirits like Isabel, his marriage renouncers like Fleda Vetch, his largely silent and detached witnesses to life like Strether and the generous Maisie. They are frequently the victims of callous manipulators who box them into oppressive roles or who literally "plot against" them. By looking closely at James's critiques of clever" categorical mind and at his loving and complex portraits of characters of unfulfilled potentiality, Bell celebrates the paradoxes of James's story-denying fiction.
In extended analyses of Daisy Miller," Washington Square, The Portrait of a Lady; The Bostonians, The Princess Casamassima, "The Aspern Papers," The Spoils of Poynton, "The Turn of the Screw," What Maisie Knew, "The Beast in the Jungle," "The Jolly Corner," The Wings of the Dove, and The Ambassadors, Bell relates James's work to influential movements of the day, notably impressionism and naturalism. She examines the influence of Hawthorne, Emerson, Flaubert, Balzac, and Zola on James at various periods throughout his career. Drawing on rich traditions of criticism and on stimulating recent theories, Bell forges a critical approach both accessible and profound for this elegant reading of one of the greatest writers of this or any time.
It is a book that will be of high value and interest to the advanced scholar--marking out new ground in its methodology and offering innovative interpretations of James's fiction. At the same time, it will appeal equally to the general, reader, who will find his reading of James enriched by Bell's lucid and impassioned discussion.
About the Author: Henry James (1843a1916) wrote more than twenty novels, including "The Portrait of a Lady, The Turn of the Screw," and "The Golden Bowl," Philip Horne, series editor, is a professor of English at University College London. Adrian Poole is a fellow of Trinity College, Cambridge. Andrew Taylor is a lecturer in English at the University of Edinburgh. Millicent Bell is an emerita professor of English at Boston University.
Titel: Meaning in Henry James
Verlag: Harvard University Press
Zustand: very good
Buchbeschreibung Harvard University Press. Hardcover. Buchzustand: Good. Ex-Library Book - will contain Library Markings. Book shows minor use. Cover and Binding have minimal wear and the pages have only minimal creases. Buchnummer des Verkäufers G067455762XI3N10
Buchbeschreibung Harvard University Press, 1991. Buchzustand: Very Good. First Edition. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP87285176
Buchbeschreibung Harvard University Press, US, 1991. Hardcover. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Edition Unstated. 384 pages. Boards are square, flat and clean. Tight binding. Dust jacket has minor shelf wear. Has been placed in removable protective cover. Interior is clean and unmarked. Quantity Available: 1. Category: Literature & Literary; ISBN: 067455762x. ISBN/EAN: 9780674557628. More pictures upon request. Inventory No: 53507. Buchnummer des Verkäufers 53507
Buchbeschreibung Harvard University Press, 1991. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG067455762X
Buchbeschreibung Harvard University Press September 1991, 1991. Hardcover. Buchzustand: Used - Very Good. Very nice clean, tight copy free of any marks. Buchnummer des Verkäufers 205872
Buchbeschreibung Harvard University Press, Cambridge and London, 1991. Hard Cover. Buchzustand: Almost Like New. Zustand des Schutzumschlags: Very Good +. First Printing. Book is a clean tight unmarked copy. University Press. Buchnummer des Verkäufers 014474
Buchbeschreibung Harvard University Press, 1991. Hardcover. Buchzustand: New. Never used!. Buchnummer des Verkäufers P11067455762X
Buchbeschreibung Harvard University Press, 1991. Hardcover. Buchzustand: Good. First Edition. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Buchnummer des Verkäufers 067455762X
Buchbeschreibung Harvard University Press, 1991. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers M067455762X