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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The Medieval Calendar Year celebrates the pictorial convention known as "The Labors of the Months" and the ways it was used in the Middle Ages. Richly illustrated and elegantly presented, it provides valuable insights into prevailing social attitudes and values and will fascinate all readers who are interested in the history and culture of medieval Europe.The "Labors" cycle was most popular during the High Middle Ages (ca. 1200-1500). The traditional cycle depicts the year as a round of seasonal activities on the land. Each month has its allotted task, and each of these represents one stage in the never-ending process of providing food for society. The small scenes that made up the cycle were well-known and used widely throughout Europe. They were chosen to decorate both public and private spaces: churches and houses, town fountains, baptismal fonts, as well as books of devotion intended both for priests and for the laity. The cycle was sculpted in stone, carved in wood, painted on glass and on manuscript pages. Examples from such media axe described, but most of the illustrations have been taken from manuscripts, primarily Books of Hours.The author has spent the past fifteen years studying calendar after calendar, and one of her great strengths is her ability to see the social reality that lies hidden, even masked, behind the stylized presentation. In the chapter on winter, she shows how the image of this season, dreaded in the Middle Ages, was softened and sweetened by calendar artists to bring it more into harmony with the characteristic mood of the cycle as a whole. For autumn, she reveals how depictions of the harvest of grain, grapes, and livestock hint at a sophisticatedmarket economy. Thematic chapters on children, women, and the hardship of work brilliantly cut through idealized conventions and assumptions to unveil the underlying complexities of life.The "Labors" cycle and its social co. Buchnummer des Verkäufers

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The Medieval Calendar Year celebrates the pictorial convention known as "The Labors of the Months" and the ways it was used in the Middle Ages. Richly illustrated and elegantly presented, it provides valuable insights into prevailing social attitudes and values and will fascinate all readers who are interested in the history and culture of medieval Europe.

The "Labors" cycle was most popular during the High Middle Ages (ca. 1200–1500). The traditional cycle depicts the year as a round of seasonal activities on the land. Each month has its allotted task, and each of these represents one stage in the never-ending process of providing food for society. The small scenes that made up the cycle were well-known and used widely throughout Europe. They were chosen to decorate both public and private spaces: churches and houses, town fountains, baptismal fonts, as well as books of devotion intended both for priests and for the laity. The cycle was sculpted in stone, carved in wood, painted on glass and on manuscript pages. Examples from such media are described, but most of the illustrations have been taken from manuscripts, primarily Books of Hours.

The author has spent the past fifteen years studying calendar after calendar, and one of her great strengths is her ability to see the social reality that lies hidden, even masked, behind the stylized presentation. In the chapter on winter, she shows how the image of this season, dreaded in the Middle Ages, was softened and sweetened by calendar artists to bring it more into harmony with the characteristic mood of the cycle as a whole. For autumn, she reveals how depictions of the harvest of grain, grapes, and livestock hint at a sophisticated market economy. Thematic chapters on children, women, and the hardship of work brilliantly cut through idealized conventions and assumptions to unveil the underlying complexities of life.

The "Labors" cycle and its social context have not hitherto been examined in depth and with the care they deserve. The Medieval Calendar Year is a book worthy of the beautiful and beguiling tradition it describes.

About the Author:

Bridget Ann Henisch is the author of Fast and Feast: Food in Medieval Society (1976) and the co-author, with Heinz K. Henisch, of Positive Pleasures: Early Photography and Humor (1998), The Painted Photograph, 1839–1914: Origins, Techniques, Aspirations (1996), The Photographic Experience, 1839–1914: Images and Attitudes (1994), all from Penn State.

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Henisch, Bridget Ann
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Buchbeschreibung Penn State University Press, 1999. Paperback. Buchzustand: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Buchnummer des Verkäufers S_201385453

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Buchbeschreibung Penn State University Press. PAPERBACK. Buchzustand: Good. 0271019042 Satisfaction Guaranteed. Please contact us with any inquiries. We ship daily. Buchnummer des Verkäufers Z0271019042Z3

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Buchbeschreibung Pennsylvania State Univ Pr, 1999. Paperback. Buchzustand: Good. Books have varying amounts of wear and highlighting. Usually ships within 24 hours in quality packaging. Satisfaction guaranteed. We are not able to ship internationally. Your satisfaction is guaranteed! Please note that items may contain writing and/or highlighting and may not include CDs, access cards, or other supplementary material. Items ship in quality packaging within 2 business days. Buchnummer des Verkäufers 8800036238840

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Buchbeschreibung Pennsylvania State University Press, University Park, PA, 1999. Paperback. Buchzustand: Fine. 1999, Edition not stated. Softcover, in Fine condition, showing the very lightest shelf wear. Buchnummer des Verkäufers d005601

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Buchbeschreibung Penn State University Press, 1999. Buchzustand: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Buchnummer des Verkäufers 0271019042-2-4

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Buchbeschreibung Penn State University Press, 1999. Paperback. Buchzustand: Near Fine. First Edition. The Medieval Calendar Year celebrates the pictorial convention known as "The Labors of the Months" and the ways it was used in the Middle Ages. Richly illustrated and elegantly presented, it provides valuable insights into prevailing social attitudes and values and will fascinate all readers who are interested in the history and culture of medieval Europe. Paperback. Pictorial cover. Date of purchase on front free end paper. There is no other writing in the book. viii, 232pp., index. Illustrated. Full refund if not satisfied. Buchnummer des Verkäufers 032158

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Buchbeschreibung Penn State University Press, 1999. Paperback. Buchzustand: Near Fine. The Medieval Calendar Year celebrates the pictorial convention known as "The Labors of the Months" and the ways it was used in the Middle Ages. Richly illustrated and elegantly presented, it provides valuable insights into prevailing social attitudes and values and will fascinate all readers who are interested in the history and culture of medieval Europe. New copy. Pictorial cover. Illustrated. viii, 232pp., index. Full refund if not satisfied. Buchnummer des Verkäufers 037861

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Buchbeschreibung Pennsylvania State Univ Pr, 1999. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0271019042

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Buchbeschreibung Pennsylvania State University Press, 1999. Buchzustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. , 550grams, ISBN:9780271019048. Buchnummer des Verkäufers 6675377

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Buchbeschreibung Penn State University Press. PAPERBACK. Buchzustand: Very Good. 0271019042. Buchnummer des Verkäufers 0271019042

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