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Mindscreen: Bergman, Godard, and First-Person Film (Dalkey Archive Scholarly)

Bruce F. Kawin

Verlag: Dalkey Archive Pr, 2006
ISBN 10: 1564784614 / ISBN 13: 9781564784612
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Titel: Mindscreen: Bergman, Godard, and ...

Verlag: Dalkey Archive Pr

Erscheinungsdatum: 2006

Einband: Soft cover

Zustand: New

Beschreibung:

Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: In the opening chapter of this groundbreakingwork, Bruce Kawin asks: can a film'which isalready the dream of its maker and its audience,and which can present itself as the dream of oneof its characters'appear, finally, to dream itself?Contrary to the classic assumption that all filmnarration is third person, the author contendsthat a movie can be narrated in f irst personthrough a consciousness that originates eitheron screen or off. Through a discussion of Keaton,Welles, Resnais, Bergman, Godard, and evenChuck Jones, Kawin shows how the self-reflexivityof film stimulates the aesthetic, political, andpsychological processes of the audience, makingpossible a greater knowledge and acceptance ofourselves. Buchnummer des Verkäufers ABE_book_new_1564784614

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Inhaltsangabe: In the opening chapter of this groundbreaking work, Bruce Kawin asks: can a film--which is already the dream of its maker and its audience, and which can present itself as the dream of one of its characters--appear, finally, to dream itself? Contrary to the classic assumption that all film narration is third person, the author contends that a movie can be narrated in first person through a consciousness that originates either on screen or off. Through a discussion of Keaton, Welles, Resnais, Bergman, Godard, and even Chuck Jones, Kawin shows how the self-reflexivity of film stimulates the aesthetic, political, and psychological processes of the audience, making possible a greater knowledge and acceptance of ourselves.

Über den Autor: Bruce Kawin is Professor of English and Film at the University of Colorado at Boulder. Born in Los Angeles in 1945, he earned a B.A. in English from Columbia, an M.F.A. in creative writing and filmmaking from Cornell, and a Ph.D. in modern literature and film, also from Cornell. He has written three books of narrative theory, three books on Faulkner, and two textbooks. He is also a poet and screenwriter.

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