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Inhaltsangabe: In the first part of the book, ""Paint"", Edward Strickland shows how Minimalists rethought abstract art -- with non-gestural color-field painting, ""invisible"" and brilliant monochromes, and neo-Dadaist anti-art of pure white panels.

In the second part, ""Sound"", the author turns his attention to La Monte Young's long-tone compositions and drone works of the Theatre of Eternal Music, the effect of foreign and nonclassical American musics on Terry Riley's motoric repetition, Steve Reich's formulation of phasing technique, and Philip Glass's unison modules.

In ""Space"", Strickland looks at Minimal sculpture and its critical reception. He then discusses Minimalist tendencies in dance, film, and literature, as well as the incorporation of once-shocking Minimalist vocabulary into mass culture, from fashion to advertising.

From the Back Cover: ""The death of Minimalism is announced regularly, which may be the surest testimonial to its staying power"". This is the opening sentence of Edward Strickland's study, the first to examine in detail Minimalist tendencies in the plastic arts and music. The term Minimalism appeared in the mid-1960s, primarily with reference to the stripped-down sculpture of artists like Robert Morris and Donald Judd, both of whom detested the word. In the late seventies it gained widespread currency when applied to the repetitive music popularized by Steve Reich and Philip Glass. In the first part of the book, ""Paint"", Strickland shows how Minimalism offered a rethinking of the main schools of abstract art to mid-century. Within Abstract Expressionism Barnett Newman opposed the stylistic complexity of confessional action painting with non-gestural, color-field painting. Ad Reinhardt and Ellsworth Kelly reconceived the rhythmic construction of earlier Geometrical Abstraction in ""invisible"" and brilliant monochromes respectively; and Robert Rauschenberg created Dadaist anti-art in pure white panels. Next, Strickland surveys Minimal music from La Monte Young's long-tone composions of the fifties to his drone works of the Theatre of Eternal Music. He examines the effect of foreign and nonclassical American musics on Terry Riley's motoric repetition developed from his tape experimentation, Steve Reich's formulation of phasing technique; and Philip Glass's unison modules. The third part of the book treats the development of Minimal sculpture and its critical reception. Strickland also discusses analogous Minimalist tendencies in dance, film, and literature as well as the incorporation of once-shocking Minimalistvocabulary into mass culture from fashion to advertising. Investigating the origins of Minimalism in postwar American culture, Strickland redefines it as a movement the developed radically reductive stylistic innovations in numerous media over the third quarter of the twentieth century.

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Edward Strickland
Verlag: Indiana University Press,, Bloomington, (1993)
ISBN 10: 0253354994 ISBN 13: 9780253354990
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Buchbeschreibung Indiana University Press,, Bloomington, 1993. Hardcover. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine. A very nice clean copy in dust jacket. Buchnummer des Verkäufers 003318

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Edward Strickland
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Buchbeschreibung Indiana Univ Pr, 2000. Buchzustand: Very Good. First Edition. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP77651330

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Strickland, Edward
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Buchbeschreibung Indiana University Press, 1993. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Very good first edition hardcover in an equally nice mylar-wrapped dust jacket. NO markings. Pasadena's finest new and used bookstore. Buchnummer des Verkäufers mon0000317323

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Strickland, Edward
Verlag: Indiana Univeristy Press, U.S.A. (1993)
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Buchbeschreibung Indiana Univeristy Press, U.S.A., 1993. hardcover. Buchzustand: Good. Zustand des Schutzumschlags: Good. First Edition. Crisp, clean, bright and tight. Used. Buchnummer des Verkäufers 213437

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Strickland, Edward
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Buchbeschreibung Buchzustand: acceptable. 635 Gramm. Buchnummer des Verkäufers M00253354994-B

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Strickland, Edward
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Buchbeschreibung Indiana University Press, USA, 1993. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. H/B 312 pages, condition is Very Good. "The death of Minimalism is announced regularly, which may be the surest testimonial to its staying power." This is the opening sentence of Edward Strickland's study, the first to examine in detail Minimalist tendencies in the plastic arts and music. The term Minimalism appeared in the mid-1960s, primarily with reference to the stripped-down sculpture of artists like Robert Morris and Donald Judd, both of whom detested the word. In the late seventies it gained widespread currency when applied to the repetitive music popularized by Steve Reich and Philip Glass. In the first part of the book, "Paint," Strickland shows how Minimalism offered a rethinking of the main schools of abstract art to mid-century. Within Abstract Expressionism Barnett Newman opposed the stylistic complexity of confessional action painting with non-gestural color-field painting. Ad Reinhardt and Ellsworth Kelly reconceived the rhythmic construction of earlier Geometrical Abstraction in "invisible" and brilliant monochromes respectively; and Robert Rauschenberg created Dadaist anti-art in pure white panels. Next, Strickland surveys Minimal music, from La Monte Young's long-tone compositions of the fifties to his drone works of the Theatre of Eternal Music. He examines the effect of foreign and nonclassical American musics on Terry Riley's motoric repetition, developed from his tape experimentation; Steve Reich's formulation of phasing technique; and Philip Glass's unison modules. The third part of the book treats the development of Minimal sculpture and its critical reception. Strickland also discusses analogous Minimalist tendencies in dance, film, and literature, as well as the incorporation of once-shocking Minimalist vocabulary into mass culture, from fashion to advertising. Investigating the origins of Minimalism in postwar American culture, Strickland redefines it as a movement that developed radically reductive stylistic innovations in numerous media over the third quarter of the twentieth century. Buchnummer des Verkäufers 053552

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Strickland, Edward
Verlag: Indiana University Press, Bloomington and Indianapolis (1993)
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Buchbeschreibung Indiana University Press, Bloomington and Indianapolis, 1993. Hardcover. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine. The illustrations are appropriately minimal (illustrator). 1st Edition. Boards resist opening past 70 degrees; would otherwise grade as-new unread, but we downgrade to "near-fine" due to some scattered underlining in the first 19 pages. Number line complete 1 2 3 4 5 -- the first printing. Strickland surveys the stripped-down abstraction of minimalist art, sculpture and music since the 1960s -- Robert Morris and Donald Judd through Steve Reich and Philip Glass and John Cage to Ad Reinhardt and Terry Riley and Robert Rauschenberg. 312 pp. including index. Buchnummer des Verkäufers 004855

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Edward Strickland
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Buchbeschreibung Indiana University Press, Bloomington, 1993. Hard Cover. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. First Edition/First Printing. hardcover in dust jacket., no flaws, clean, no writing/names/markings, tight binding, a very well preserved copy.; 312pp., examines the concept of minimalism in music, painting, sculpture. cage, glass, reich, riley, newman, reinhardt, judd, morris, andre, lewitt, et al.; can be scarce as hardcover. Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 11788

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Strickland, Edward
Verlag: Indiana University Press (1993)
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Buchbeschreibung Indiana University Press, 1993. Hardcover. Buchzustand: New. Brand new gift quality hardcover in jacket Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Buchnummer des Verkäufers 79634

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Edward Strickland
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Buchbeschreibung Indiana Univ Pr, 1993. Hardcover. Buchzustand: Used: Very Good. Buchnummer des Verkäufers SONG0253354994

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