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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Whether we care to admit it or not, we have always distinguished between those arts that we consider superior and the lesser or minor forms. Giorgio Vasari is usually credited with formally structuring the primary nature of architecture, painting, and sculpture in his Lives of the Most Eminent Painters, Sculptors, and Architects, which was first published in 1568. Even though this division was initially applied to Italian art, it was not long before it gained more widespread currency. All of the other arts--such as ivory carving, glass, enamels, and goldsmiths' work--were lumped together into a secondary group that took on pejorative associations, especially in the eighteenth and nineteenth centuries. Other labels have been used over time to describe these minor arts, and we have spoken of them as the decorative, applied, ornamental, luxury, sumptuous, or even mechanical arts. This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. No longer considered secondary, they are now firmly incorporated into our studies. This collection, written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance. The contributors are David S. Areford, Brigitte Bedos-Rezak, Frdric Billiet, Paul Binski, John Cherry, Michael W. Cothren, Thomas E. Dale, Sharon Gerstel, Cynthia Hahn, Jos Koldeweij, Welleda Muller, Alan M. Stahl, Alicia Walker, Laura Weigert, Harald Wolter-von dem Knesebeck, and Kim Woods. Buchnummer des Verkäufers

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Whether we care to admit it or not, we have always distinguished between those arts that we consider superior and the lesser or minor forms. Giorgio Vasari is usually credited with formally structuring the primary nature of architecture, painting, and sculpture in his Lives of the Most Eminent Painters, Sculptors, and Architects, which was first published in 1568. Even though this division was initially applied to Italian art, it was not long before it gained more widespread currency. All of the other arts—such as ivory carving, glass, enamels, and goldsmiths’ work—were lumped together into a secondary group that took on pejorative associations, especially in the eighteenth and nineteenth centuries. Other labels have been used over time to describe these minor arts, and we have spoken of them as the decorative, applied, ornamental, luxury, sumptuous, or even mechanical arts. This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. No longer considered secondary, they are now firmly incorporated into our studies. This collection, written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance.

The contributors are David S. Areford, Brigitte Bedos-Rezak, Frédéric Billiet, Paul Binski, John Cherry, Michael W. Cothren, Thomas E. Dale, Sharon Gerstel, Cynthia Hahn, Jos Koldeweij, Welleda Muller, Alan M. Stahl, Alicia Walker, Laura Weigert, Harald Wolter-von dem Knesebeck, and Kim Woods.

About the Author:

Colum Hourihane is Director of the Index of Christian Art, Princeton University.

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Hourihane, Colum ;
Verlag: Penn State University Press (2012)
ISBN 10: 0983753717 ISBN 13: 9780983753711
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Buchbeschreibung Penn State University Press, 2012. Paperback. Buchzustand: Very Good. xxiii + 308pp, inc. b/w & coloured illus, laminated card, 28x22cm Whether we care to admit it or not, we have always distinguished between those arts that we consider superior and the lesser or minor forms. Giorgio Vasari is usually credited with formally structuring the primary nature of architecture, painting, and sculpture in his Lives of the Most Eminent Painters, Sculptors, and Architects, which was first published in 1568. Even though this division was initially applied to Italian art, it was not long before it gained more widespread currency. All of the other arts-such as ivory carving, glass, enamels, and goldsmiths' work-were lumped together into a secondary group that took on pejorative associations, especially in the eighteenth and nineteenth centuries. Other labels have been used over time to describe these minor arts, and we have spoken of them as the decorative, applied, ornamental, luxury, sumptuous, or even mechanical arts. This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. No longer considered secondary, they are now firmly incorporated into our studies. This collection, written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance. Buchnummer des Verkäufers 61481

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Director Colum Hourihane
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Buchbeschreibung Index of Christian Art Dept. of Art and Archeology Princeton, 2012. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CW-9780983753711

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Buchbeschreibung the Index of Christian Art, Princeton University. PAPERBACK. Buchzustand: Good. 0983753717 Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Buchnummer des Verkäufers Z0983753717Z3

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Buchbeschreibung Pennsylvania State Univ Pr. Buchzustand: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Buchnummer des Verkäufers 2571291

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Verlag: Index of Christian Art, Dept. of Art and Archaeology, Princeton University, United States (2013)
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Buchbeschreibung Index of Christian Art, Dept. of Art and Archaeology, Princeton University, United States, 2013. Paperback. Buchzustand: New. New. Language: English . Brand New Book. Whether we care to admit it or not, we have always distinguished between those arts that we consider superior and the lesser or minor forms. Giorgio Vasari is usually credited with formally structuring the primary nature of architecture, painting, and sculpture in his Lives of the Most Eminent Painters, Sculptors, and Architects, which was first published in 1568. Even though this division was initially applied to Italian art, it was not long before it gained more widespread currency. All of the other arts--such as ivory carving, glass, enamels, and goldsmiths work--were lumped together into a secondary group that took on pejorative associations, especially in the eighteenth and nineteenth centuries. Other labels have been used over time to describe these minor arts, and we have spoken of them as the decorative, applied, ornamental, luxury, sumptuous, or even mechanical arts. This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. No longer considered secondary, they are now firmly incorporated into our studies. This collection, written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance. The contributors are David S. Areford, Brigitte Bedos-Rezak, Frederic Billiet, Paul Binski, John Cherry, Michael W. Cothren, Thomas E. Dale, Sharon Gerstel, Cynthia Hahn, Jos Koldeweij, Welleda Muller, Alan M. Stahl, Alicia Walker, Laura Weigert, Harald Wolter-von dem Knesebeck, and Kim Woods. Buchnummer des Verkäufers AAR9780983753711

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Verlag: Index of Christian Art, Dept. of Art and Archaeology, Princeton University, United States (2013)
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Buchbeschreibung Index of Christian Art, Dept. of Art and Archaeology, Princeton University, United States, 2013. Paperback. Buchzustand: New. New.. Language: English . Brand New Book. Whether we care to admit it or not, we have always distinguished between those arts that we consider superior and the lesser or minor forms. Giorgio Vasari is usually credited with formally structuring the primary nature of architecture, painting, and sculpture in his Lives of the Most Eminent Painters, Sculptors, and Architects, which was first published in 1568. Even though this division was initially applied to Italian art, it was not long before it gained more widespread currency. All of the other arts--such as ivory carving, glass, enamels, and goldsmiths work--were lumped together into a secondary group that took on pejorative associations, especially in the eighteenth and nineteenth centuries. Other labels have been used over time to describe these minor arts, and we have spoken of them as the decorative, applied, ornamental, luxury, sumptuous, or even mechanical arts. This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. No longer considered secondary, they are now firmly incorporated into our studies. This collection, written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance. The contributors are David S. Areford, Brigitte Bedos-Rezak, Frederic Billiet, Paul Binski, John Cherry, Michael W. Cothren, Thomas E. Dale, Sharon Gerstel, Cynthia Hahn, Jos Koldeweij, Welleda Muller, Alan M. Stahl, Alicia Walker, Laura Weigert, Harald Wolter-von dem Knesebeck, and Kim Woods. Buchnummer des Verkäufers AAR9780983753711

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Buchbeschreibung Index of Chirstian Art, 2012. Paperback. Buchzustand: Brand New. 308 pages. 10.75x8.25x0.75 inches. In Stock. Buchnummer des Verkäufers __0983753717

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Buchbeschreibung the Index of Christian Art, Princeton University, 2012. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers M0983753717

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Buchbeschreibung the Index of Christian Art, Pr, 2012. Paperback. Buchzustand: Very Good. Great condition with minimal wear, aging, or shelf wear. Buchnummer des Verkäufers P020983753717

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