Modern Fashion or An Introduction to the Language of Partial Seduction

Verlag: Glenbow Museum Calgary, Canada, 1979

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[16] pp.; 33.7 x 26 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Oversized artist''s book published in conjunction with show held December 15, 1979 - February 10, 1980. Preface by Jeffrey J. Spalding. Includes text by Peter White. Photography by Jorge Zontal, additional photography by George Whiteside. Additional assistance credited to General Idea, Marilyn Kiewiet, Kevan Staples, Robin, The Parrot, Mark Davey, Olympia and York, B and M Photo Labs, Jones and Morris. "The works in the exhibition were developed by David Buchan in response to our invitation to him to prepare a show of his wardrobe art. To our surprise and delight, what emerged was a new approach. In addition to creating his fanciful fashions, Buchan came up with the notion of presenting these new creations in the format of men''s fashion advertisements complete with their own running commentary. Thus, after designing the wardrobes, he modelled them for photographs which were used in the layouts of the ads and wrote the accompanying ad copy. For the exhibition, photo-murals were made from these layouts and displayed together with a selection of the clothing and an audio-visual presentation which chronicled some of his past designs. The same layouts that were used to produce the photo-mural panels for the exhibition were used in the production of this publication. Not only a catalogue which documents works shown in the exhibition, this publication is equally Buchan''s original art statement. In actual fact, this is an artist''s book. Buchan originated the concept of presenting the work in a magazine format, was responsible for its design and, of course, for preparing and completing the layout of the ads." -- from publication''s preface. "?I take the advertising format & instead of selling products, I sell concepts," Buchan says. "I see no reason why artists can''t use the same style to sell his ideas. In the case of the advertiser, he has the clothing. I have the money. He wants to exchange his clothing for my money. As an artist, I want to sell you my ideas. I want to replace an idea you have with one of mine."--Nancy Tousleuy, "Visual Arts," Calgary Herald, December 20, 1979 Good / Very Good. Mild wear to covers and light aging to paper. Contents clean and unmarked.…

Bestandsnummer des Verkäufers 39213

Bibliografische Details

Titel
Modern Fashion or An Introduction to the Language of Partial Seduction
Autor
David Buchan, Peter White
Verlag
Glenbow Museum Calgary, Canada
Erscheinungsjahr
1979
Einband
Softcover

Specific Object / David Platzker

New York, NY, USA

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Verkäufer:in bei AbeBooks seit 20. März 2018

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Specific Object is a gallery, bookstore, and think-tank dedicated to art post 1958 - specifically pop, Fluxus, minimal and conceptual - with an interest in the art that informed the 1960s and 1970s, as well as artists whose works organically followed from the era. Specific Object is always interested in purchasing artwork as well as used books, ephemera and other objects of interest. Specific Object works to isolate distinct works of value - historically, monetarily and / or intellectually valuable - and show them in isolated contexts, allowing these works, or objects, their own place, space and time. The material Specific Object presented ranged from artists' publications, ephemera, prints, multiples and other editions to literature, music / audio works and unique artworks of the contemporary world. In November 2004 Specific Object acquired the inventory of Barbara Moore's bookstore Bound & Unbound. Through her bookshops Bound & Unbound and its predecessor Backworks, founded in 1976, Moore has been a seminal and innovative champion of artists working in alternative mediums. From 1998 through 2004 David Platzker was the Executive Director of the non-profit institution Printed Matter, Inc. He is also the co-author, and co-curator - with Elizabeth Wyckoff - of "Hard Pressed: 600 Years of Prints and Process" (International Print Center New York & Hudson Hills Press, 2000); and - with Richard H. Axsom - the book and exhibition entitled "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg : A Catalogue Raisonné 1958-1996" (Madison Art Center & Hudson Hills Press, 1997), which was awarded the George Wittenborn Award for Best Art Publication of 1997 by the Art Libraries Society of North America. He has curated exhibitions of the works of Art & Project, John Baldessari, Marcel Broodthaers, Documenta 5, Conceptual Art, Marcel Duchamp, Donald Judd, John McLaughlin, Bruce Nauman, Oldenburg, Raymond Pettibon, Dieter Roth, and Edward Ruscha in addition to commissioning or curating exhibitions at Printed Matter of Angelblood, Larry Clark, Erin Cosgrove, Meg Cranston, General Idea, Jenny Holzer, Reverend Jen, Allan Kaprow, Yoko Ono, Ryan McGinness, Sonic Youth, Tom Sachs, David Tremlett, Richard Tuttle and the Guerrilla Girls. Platzker was also the host of WPS1.org's Recorded Matter online radio program. Archived programs can be found at www.artonair.org. His writings have been included in Claude Closky: Hello And Welcome, I Love John Giorno, Jonathan Monk: In Relief (My Collection of Sol LeWitt Books - Exact Size, Shape and Occasionally Colour), 2015. From 2013 through 2018 Platzker was Curator of Drawings and Prints at The Museum of Modern Art, New York, where he curated the exhibitions "There Will Never Be Silence: Scoring John Cage's 4'33"" with Jon Hendricks; "Sites of Reason: A Selection of Recent Acquisitions" with Erica Papernik; "Gilbert & George: The Early Years; and Adrian Piper: A Synthesis of Intuitions, 1965 - 2016" with Connie Butler and Christophe Cherix. He authored essays for the catalogues "Yoko Ono: One Woman Show, 1960-1971," "Louise Lawler : Receptions," "Being Modern: Building the Collection of The Museum of Modern Art," and the critical theory volume "Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology" (MoMA Primary Documents). His additional MoMA publications include the vinyl LPs "There Will Never Be Silence," "The Thoughts of Gilbert & George," and "Antonio Dias: The Space Between" as well as the artists' books "Yoko Ono: Grapefruit" and "The Conquest of Space: Atlas for the Use of Artists and the Military" by Marcel Broodthaers. Recent writings also include "A Love Supreme: Charles Gaines and Trees," in "Charles Gaines : Palm Trees and Other Works" (Hauser & Wirth) and "John Baldessari Gets Booked" in "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" (Marian Goodman / Yale Univ. Press). Visit www.specificobject.com for our complete inventory.…

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Pop Art, Contemporary Art, Artists' Books, Multiples, Fluxus, Conceptual Art

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